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  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office talking to his grandmother from Bologna, Italy, who has been in Bronxville for the past year. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7368.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7159.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7092.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7036.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7027.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6989.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6982.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office talking to his grandmother from Bologna, Italy, who has been in Bronxville for the past year. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6976.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6955.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6951.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is accompanied by his assistant Kathryn Whitney, 18, from the garage where he exercises to his home office. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6940.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is accompanied by his assistant Kathryn Whitney, 18, from the garage where he exercises to his home office. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6938.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here after dressing up in the garage of his home office where he exercises 5 hours every day. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6911.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is helped by his friend Patricia Margro to dress up in the garage of his home office where he exercises 5 hours every day. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6886.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in the garage of his home office where he ecercises 5 hours every day. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6874.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in the garage of his home office where he ecercises 5 hours every day with the help of his assistant Kathryn Whitney (left), 18. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6870.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, gets off the standing machine (or easy stand) with the help of his assistant Kathryn Whitney (right), 18, and maid Silvia Saldana (left) in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6864.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, exercises on the standing frame (or easy stand) in the garage of his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6855.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is accompanied by his assistant Kathryn Whitney, 18, from the garage where he exercises to his home office. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7412.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7373.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7350.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7238.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in his home office in Bronxville. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_7153.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here after dressing up in the garage of his home office where he exercises 5 hours every day. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6900.jpg
  • 29 December, 2009. Bronxville, NY. Francesco Clark, 30, founder and president of Clark's Botanicals, is here in the garage of his home office where he exercises 5 hours every day. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6896.jpg
  • 29 December, 2009. Bronxville, NY. An exercise log board is here at the entrance of the garage of his home office where he exercises 5 hours every day. Francesco  Clark, 30, is the founder and president of Clark's Botanicals. Francesco Clark suffers a crippling cord injury due to a swimming pool diving accident on June 1, 2002. Clark's Botanicals was born out of the tragedy.<br />
With his central nervous system impaired, Francesco, who was then an assistant stylist at Harper's Bazar, lost the ability not only to walk, but even to sweat. This led to clogged pores and chronic breakouts. When neither over-the-counter nor prescriptive remedies worked, he turned to his father, Dr. Harold Clark, a physician trained in both traditional Western medicine and homeopathy.<br />
<br />
Together they developed botanically-based formulas that effectively rebalanced Francesco's skin, clearing it up entirely. Through word-of-mouth, other people discovered and fell in love with these products, and in 2005, Francesco began selling Clark's Botanicals on his website.<br />
©2009 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    CIPG_20090224_NYT_VOICES_MG_6880.jpg
  • POSITANO, ITALY - 13 SEPTEMBER 2018: Robert Friedland (68), founder and chair of Ivanhoe Capital Corporation and Ivanhoe Mines - a leader in the mining and precious metals industry - poses for a portrait in the living room of Villa Tre Ville overlooking Positano, Italy, on September 13th 2018.<br />
<br />
Based in Singapore, Robert Friedland is praised for finding profitable mines in remote areas like Oyu Tolgoi in Mongolia. Robert Friedland has a 12.7% stake in Australia-listed CleanTeQ Holdings, which supplies cobalt and nickel to lithium-ion battery producers. Robert Friedland is also the chairman of Ivanhoe Pictures, formed in 2013 as a motion picture and television financing and production entity. Ivanhoe Pictures is co-producer of Crazy Rich Asians, a 2018 American romantic comedy-drama film directed by Jon M. Chu.<br />
<br />
Villa Tre Ville was originally purchased in the 1920s by the Russian writer Mikhail Semenov. Later purchased by the Italian film and opera director Franco Zeffirelli in the 1960s, the property was often visited by dancers, singers, writers, musicians, painters, actors and intellectuals from all over the globe. Among these artists were Liz Taylor, Maria Callas, Leonard Berstein, Laurence Olivier. In 2007 the villa was sold to the hotelier Giovanni Russo. In 2013 Robert Friedland announced that the company's Ivanhoe Italia LLC subsidiary has completed the acquisition of the Villa Tre Ville and that it  would form part of an Ivanhoe group of international boutique hotels and villas, with other locations under development in Thailand and Japan.
    CIPG_20180913_GLOBEANDMAIL_M3_7123.jpg
  • POSITANO, ITALY - 13 SEPTEMBER 2018: Robert Friedland (68), founder and chair of Ivanhoe Capital Corporation and Ivanhoe Mines - a leader in the mining and precious metals industry - poses for a portrait on the terrace of Villa Tre Ville overlooking Positano, Italy, on September 13th 2018.<br />
<br />
Based in Singapore, Robert Friedland is praised for finding profitable mines in remote areas like Oyu Tolgoi in Mongolia. Robert Friedland has a 12.7% stake in Australia-listed CleanTeQ Holdings, which supplies cobalt and nickel to lithium-ion battery producers. Robert Friedland is also the chairman of Ivanhoe Pictures, formed in 2013 as a motion picture and television financing and production entity. Ivanhoe Pictures is co-producer of Crazy Rich Asians, a 2018 American romantic comedy-drama film directed by Jon M. Chu.<br />
<br />
Villa Tre Ville was originally purchased in the 1920s by the Russian writer Mikhail Semenov. Later purchased by the Italian film and opera director Franco Zeffirelli in the 1960s, the property was often visited by dancers, singers, writers, musicians, painters, actors and intellectuals from all over the globe. Among these artists were Liz Taylor, Maria Callas, Leonard Berstein, Laurence Olivier. In 2007 the villa was sold to the hotelier Giovanni Russo. In 2013 Robert Friedland announced that the company's Ivanhoe Italia LLC subsidiary has completed the acquisition of the Villa Tre Ville and that it  would form part of an Ivanhoe group of international boutique hotels and villas, with other locations under development in Thailand and Japan.
    CIPG_20180913_GLOBEANDMAIL_M3_7103.jpg
  • MATERA, ITALY -6 OCTOBER 2019: A backstage scene of a Roman soldier resting by a cross during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: The impenitent thief (on the left of Jesus Christ) is seen here shortly before filming the scene of the crucifixion during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    SMAS_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: The backstage of the scene of the crucifixion of Jesus Christ is seen here during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    SMAS_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: A Roman soldier is seen here backstage during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    SMAS_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: A view of Matera, the set for Milo Rau's "The New Gospel" (2019),  Pier Paolo Pasolni's "The Gospel According to Matthew" (1964) and Mel Gibson's "The Passion of the Christ (2004), is seen here during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: Director Milo Rau (42) is seen here walking back from the scene of the crucifixion of Jesus Christ, performed by  Yvan Sagnet (34, center, a political activist and former exploited tomato farmer) and the two thieves  during the production of "The New Gospel" in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: The scene of the crucifixion of Jesus Christ, performed by  Yvan Sagnet (34, center, a political activist and former exploited tomato farmer) and the two thieves is filmed during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: Director Milo Rau (42) is seen here walking back from the scene of the crucifixion of Jesus Christ, performed by  Yvan Sagnet (34, center, a political activist and former exploited tomato farmer) and the two thieves  during the production of "The New Gospel" in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: The backstage of the scene of the crucifixion of Jesus Christ is seen here during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: The impenitent thief (on the left of Jesus Christ) is seen here shortly before filming the scene of the crucifixion during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: cis seen here backstage during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: A backstage scene of a Roman soldier resting by a cross during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: (L-R) Vito Castoro (37, farmer), Yussif Bamba (founder of the NGO AIIMS) and Papa Latyr Faye (aka Hervé, President of the NGO “Ghetto Out Casa Sankara”), respectively performing the roles of Jesus Christ's Apostles Bartholomew, Matthew and Peter, pose for a portrait during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and huma
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: (L-R) Vito Castoro (37, farmer), Yussif Bamba (founder of the NGO AIIMS) and Papa Latyr Faye (aka Hervé, President of the NGO “Ghetto Out Casa Sankara”), respectively performing the roles of Jesus Christ's Apostles Bartholomew, Matthew and Peter, pose for a portrait during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and huma
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: (L-R) Vito Castoro (37, farmer), Yussif Bamba (founder of the NGO AIIMS) and Papa Latyr Faye (aka Hervé, President of the NGO “Ghetto Out Casa Sankara”), respectively performing the roles of Jesus Christ's Apostles Bartholomew, Matthew and Peter, pose for a portrait during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and huma
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: (L-R) Vito Castoro (37, farmer), Yussif Bamba (founder of the NGO AIIMS) and Papa Latyr Faye (aka Hervé, President of the NGO “Ghetto Out Casa Sankara”), respectively performing the roles of Jesus Christ's Apostles Bartholomew, Matthew and Peter, pose for a portrait during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and huma
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY -6 OCTOBER 2019: The second assistant camera operates the clapperboard before the scene of the crucifixions during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 6th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191006_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: Yvan Sagnet (34, center), a political activist and former exploited tomato farmer, performs a scene of the Via Crucis in the role of Jesus Christ during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: A scene of the Via Crucis, with the crowd following and pushing Jesus Christ on his way to crucifixion, is seen here during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: A scene of the Via Crucis, with the crowd following and pushing Jesus Christ on his way to crucifixion, is seen here during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: Yvan Sagnet (34, center), a political activist and former exploited tomato farmer, performs a scene of the Via Crucis in the role of Jesus Christ during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: Yvan Sagnet (34, center), a political activist and former exploited tomato farmer, performs a scene of the Via Crucis in the role of Jesus Christ during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: The scene of the condemnation, in which Jesus Christ is brought by Roman soldiers before Pontius Pilate, is seen here during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: Yvan Sagnet (34, center), a political activist and former exploited tomato farmer, performs a scene of the Via Crucis in the role of Jesus Christ during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: Yvan Sagnet (34, center), a political activist and former exploited tomato farmer, performs a scene of the Via Crucis in the role of Jesus Christ during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • MATERA, ITALY - 5 OCTOBER 2019: Yvan Sagnet (34, center), a political activist and former exploited tomato farmer, performs a scene of the Via Crucis in the role of Jesus Christ during the production of "The New Gospel", a film by Swiss theatre director Milo Rau, in Matera, Italy, on October 5th 2019.<br />
<br />
Theatre Director Milo Rau filmed the Passion of the Christ  under the title “The New Gospel” with a cast of refugees, activists and former actors from Pasolini and Mel Gibson’s films.<br />
<br />
The role of Jesus is performed by Yvan Sagnet, a Political activist born in Cameroon and who worked on a tomato farm when in 2011 he revolted against the system of exploitation and led the first farm workers’ strike in southern Italy. In a series of public shoots in the European Capital of Culture Matera, Jesus will proclaimed the Word of God, was crucified (October 6th 2019) and finally rose from the dead in Rome, the capital of Catholic Christianity and seat of one of the most xenophobic governments in Europe (October 10th 2019).<br />
 <br />
Parallel to the film, the humanistic message of the New Testament was transformed into the present: at the beginning of September, the campaign “Rivolta della Dignità” (Revolt of Dignity), which demanded fair working and living conditions     for refugees, global freedom of travel and civil rights for all, started with a march from the southern Italian refugee camps. “It’s about putting Jesus on his feet,” director Milo Rau said. Led by Jesus actor Yvan Sagnet, the campaign fights for the rights of migrants who came to Europe via the Mediterranean to be enslaved by the Mafia in the tomato fields of southern Italy and to live in ghettos under inhumane conditions. The campaign and the film thus create a “New Gospel” for the 21st century, a manifesto of solidarity with the poorest, a revolt for a more just and humane world.
    CIPG_20191005_NYT_MateraNewTestament...jpg
  • POSITANO, ITALY - 13 SEPTEMBER 2018: Robert Friedland (68), founder and chair of Ivanhoe Capital Corporation and Ivanhoe Mines - a leader in the mining and precious metals industry - poses for a portrait in the living room of Villa Tre Ville overlooking Positano, Italy, on September 13th 2018.<br />
<br />
Based in Singapore, Robert Friedland is praised for finding profitable mines in remote areas like Oyu Tolgoi in Mongolia. Robert Friedland has a 12.7% stake in Australia-listed CleanTeQ Holdings, which supplies cobalt and nickel to lithium-ion battery producers. Robert Friedland is also the chairman of Ivanhoe Pictures, formed in 2013 as a motion picture and television financing and production entity. Ivanhoe Pictures is co-producer of Crazy Rich Asians, a 2018 American romantic comedy-drama film directed by Jon M. Chu.<br />
<br />
Villa Tre Ville was originally purchased in the 1920s by the Russian writer Mikhail Semenov. Later purchased by the Italian film and opera director Franco Zeffirelli in the 1960s, the property was often visited by dancers, singers, writers, musicians, painters, actors and intellectuals from all over the globe. Among these artists were Liz Taylor, Maria Callas, Leonard Berstein, Laurence Olivier. In 2007 the villa was sold to the hotelier Giovanni Russo. In 2013 Robert Friedland announced that the company's Ivanhoe Italia LLC subsidiary has completed the acquisition of the Villa Tre Ville and that it  would form part of an Ivanhoe group of international boutique hotels and villas, with other locations under development in Thailand and Japan.
    CIPG_20180913_GLOBEANDMAIL_M3_7127.jpg
  • POSITANO, ITALY - 13 SEPTEMBER 2018: Robert Friedland (68), founder and chair of Ivanhoe Capital Corporation and Ivanhoe Mines - a leader in the mining and precious metals industry - poses for a portrait on the terrace of Villa Tre Ville overlooking Positano, Italy, on September 13th 2018.<br />
<br />
Based in Singapore, Robert Friedland is praised for finding profitable mines in remote areas like Oyu Tolgoi in Mongolia. Robert Friedland has a 12.7% stake in Australia-listed CleanTeQ Holdings, which supplies cobalt and nickel to lithium-ion battery producers. Robert Friedland is also the chairman of Ivanhoe Pictures, formed in 2013 as a motion picture and television financing and production entity. Ivanhoe Pictures is co-producer of Crazy Rich Asians, a 2018 American romantic comedy-drama film directed by Jon M. Chu.<br />
<br />
Villa Tre Ville was originally purchased in the 1920s by the Russian writer Mikhail Semenov. Later purchased by the Italian film and opera director Franco Zeffirelli in the 1960s, the property was often visited by dancers, singers, writers, musicians, painters, actors and intellectuals from all over the globe. Among these artists were Liz Taylor, Maria Callas, Leonard Berstein, Laurence Olivier. In 2007 the villa was sold to the hotelier Giovanni Russo. In 2013 Robert Friedland announced that the company's Ivanhoe Italia LLC subsidiary has completed the acquisition of the Villa Tre Ville and that it  would form part of an Ivanhoe group of international boutique hotels and villas, with other locations under development in Thailand and Japan.
    CIPG_20180913_GLOBEANDMAIL_M3_7115.jpg
  • POSITANO, ITALY - 13 SEPTEMBER 2018: Robert Friedland (68), founder and chair of Ivanhoe Capital Corporation and Ivanhoe Mines - a leader in the mining and precious metals industry - poses for a portrait on the terrace of Villa Tre Ville overlooking Positano, Italy, on September 13th 2018.<br />
<br />
Based in Singapore, Robert Friedland is praised for finding profitable mines in remote areas like Oyu Tolgoi in Mongolia. Robert Friedland has a 12.7% stake in Australia-listed CleanTeQ Holdings, which supplies cobalt and nickel to lithium-ion battery producers. Robert Friedland is also the chairman of Ivanhoe Pictures, formed in 2013 as a motion picture and television financing and production entity. Ivanhoe Pictures is co-producer of Crazy Rich Asians, a 2018 American romantic comedy-drama film directed by Jon M. Chu.<br />
<br />
Villa Tre Ville was originally purchased in the 1920s by the Russian writer Mikhail Semenov. Later purchased by the Italian film and opera director Franco Zeffirelli in the 1960s, the property was often visited by dancers, singers, writers, musicians, painters, actors and intellectuals from all over the globe. Among these artists were Liz Taylor, Maria Callas, Leonard Berstein, Laurence Olivier. In 2007 the villa was sold to the hotelier Giovanni Russo. In 2013 Robert Friedland announced that the company's Ivanhoe Italia LLC subsidiary has completed the acquisition of the Villa Tre Ville and that it  would form part of an Ivanhoe group of international boutique hotels and villas, with other locations under development in Thailand and Japan.
    CIPG_20180913_GLOBEANDMAIL_M3_7111.jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: A worker does a color check of a poster printed at Rubbettino Publish House in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Rubbettino Publishing House, founded by Rosario Rubbettino in 1973, is of the largest publishing and printing houses in Italy’s South. To abate logistical costs and make sure of the production quality, Rubbettino Publishing House built an integrated cycle inside its large warehouse inside Soveria Mannelli. Over 80 employees edit, print and package 300 new books a year for the Italian market, generating a turnover of 8 million euros.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_71...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Yellow, magenta, cyan and black printing rolls are seen here in the Rubbettino Publishing House in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Rubbettino Publishing House, founded by Rosario Rubbettino in 1973, is of the largest publishing and printing houses in Italy’s South. To abate logistical costs and make sure of the production quality, Rubbettino Publishing House built an integrated cycle inside its large warehouse inside Soveria Mannelli. Over 80 employees edit, print and package 300 new books a year for the Italian market, generating a turnover of 8 million euros.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_70...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: A worker does a color check of a poster printed at Rubbettino Publish House in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Rubbettino Publishing House, founded by Rosario Rubbettino in 1973, is of the largest publishing and printing houses in Italy’s South. To abate logistical costs and make sure of the production quality, Rubbettino Publishing House built an integrated cycle inside its large warehouse inside Soveria Mannelli. Over 80 employees edit, print and package 300 new books a year for the Italian market, generating a turnover of 8 million euros.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_70...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Florindo Rubbettino (45), CEO of Rubbettino Publishing House, poses for a portrait in the typgraphic warehouse in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Rubbettino Publishing House, founded by Rosario Rubbettino in 1973, is of the largest publishing and printing houses in Italy’s South. To abate logistical costs and make sure of the production quality, Rubbettino Publishing House built an integrated cycle inside its large warehouse inside Soveria Mannelli. Over 80 employees edit, print and package 300 new books a year for the Italian market, generating a turnover of 8 million euros.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_70...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Florindo Rubbettino (45), CEO of Rubbettino Publishing House, poses for a portrait in the typgraphic warehouse in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Rubbettino Publishing House, founded by Rosario Rubbettino in 1973, is of the largest publishing and printing houses in Italy’s South. To abate logistical costs and make sure of the production quality, Rubbettino Publishing House built an integrated cycle inside its large warehouse inside Soveria Mannelli. Over 80 employees edit, print and package 300 new books a year for the Italian market, generating a turnover of 8 million euros.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_70...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Books run on a reel before being binded, here at the Rubbettino Publishin House in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Rubbetting Publishing House, founded by Rosario Rubbettino in 1973, is of the largest publishing and printing houses in Italy’s South. To abate logistical costs and make sure of the production quality, Rubbettino Publishing House built an integrated cycle inside its large warehouse inside Soveria Mannelli. Over 80 employees edit, print and package 300 new books a year for the Italian market, generating a turnover of 8 million euros.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_69...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Wool is seen here running through a textile calender machine which polishes the surface of the fabric and makes it smoother and more glossy, in the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-siz
    CIPG_20161117_SoveriaMannelli_5M3_66...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Peppino Leo (95), father of entreprepeneur and heir Emilio Salvatore Leo, poses for a portrait in the historic family business Lanificio Leo in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading sc
    CIPG_20161117_SoveriaMannelli_5M3_66...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Woolen clothing items are dried on the rooftop of the Lanificio Leo woolen mill here in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Woolen clothing items are dried on the rooftop of the Lanificio Leo woolen mill here in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: A woman makes a scarf here in the textile workshop of the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: A woman is a work here in the textile workshop of the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by a Jacquard loom (a power loom that simplifies  the process of making textiles) in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepre
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by a Jacquard loom (a power loom that simplifies  the process of making textiles) in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepre
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by a Jacquard loom (a power loom that simplifies  the process of making textiles) in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepre
    CIPG_20161117_SoveriaMannelli_5M3_64...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, works on an antique horizontal loom in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a lea
    CIPG_20161117_SoveriaMannelli_5M3_64...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: An old warping mill is seen here at the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_64...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: A detail of warps running through an old warping mill is seen here at the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancien
    CIPG_20161117_SoveriaMannelli_5M3_64...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by an old warping mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing hous
    CIPG_20161117_SoveriaMannelli_5M3_63...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by an old warping mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing hous
    CIPG_20161117_SoveriaMannelli_5M3_63...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by an old warping mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing hous
    CIPG_20161117_SoveriaMannelli_5M3_63...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, poses for a portrait by an old warping mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing hous
    CIPG_20161117_SoveriaMannelli_5M3_63...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: A Jacquard loom (a power loom that simplifies  the process of making textiles) is seen here at the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture m
    CIPG_20161117_SoveriaMannelli_5M3_63...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Wool is seen here running through a textile calender machine which polishes the surface of the fabric and makes it smoother and more glossy, in the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-siz
    CIPG_20161117_SoveriaMannelli_5M3_63...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Emilio Salvatore Leo (41), entrepreneur and heir of the woolen mill and historic family business Lanificio Leo, is seen here during an interview in his office in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing h
    CIPG_20161117_SoveriaMannelli_5M3_62...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Lanificio Leo, the first and last machine-operated woolen mill of Calabria, a Southern Italian region, is seen here in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_62...jpg
  • VENICE, ITALY - 13 JULY 2016: Production and crew members stand by the exit of Palazzo Palazzo Cavalli-Franchetti as they look at the set and barge floating on the Grand Canal where a scene of the third season of "Mozart in the Jungle" will be shot. in Venice, Italy, on July 13th 2016.<br />
<br />
Mozart in the Jungle is an award-winning television series produced by Picrow for Amazon Studios. The pilot was written by Roman Coppola, Jason Schwartzman, and Alex Timbers and directed by Paul Weitz. The story was inspired by Mozart in the Jungle: Sex, Drugs, and Classical Music, oboist Blair Tindall's 2005 memoir of her professional career in New York.
    CIPG_20160714_NYT-Domingo_5M3_8875.jpg
  • VENICE, ITALY - 13 JULY 2016: (L-R) Tenor and conductor Placido Domingo (75), actor Gael Garcia Bernal (37) and actress Monica Bellucci (51) and are here on a barge and set together with crew and production members before shooting a scene of an episode of the third season of "Mozart in the Jungle" on the Grand Canal in Venice, Italy, on July 13th 2016.<br />
<br />
Mozart in the Jungle is an award-winning television series produced by Picrow for Amazon Studios. The pilot was written by Roman Coppola, Jason Schwartzman, and Alex Timbers and directed by Paul Weitz. The story was inspired by Mozart in the Jungle: Sex, Drugs, and Classical Music, oboist Blair Tindall's 2005 memoir of her professional career in New York.
    CIPG_20160714_NYT-Domingo_5M3_8832.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: A bottling machine used to fill olive oil bottles was left unplugged this year in olive oil producer Federico Dufour's farm in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4160.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Bio products, including last year's olive oil, is sold at the entrance of the Fattoria di Macia, a farmhouse and agritourism owned by olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4142.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Bio products, including last year's olive oil, is sold at the entrance of the Fattoria di Macia, a farmhouse and agritourism owned by olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4133.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil producer Federico Dufour walks by olive trees infected by the Bactrocera oleae, an olive fruit fly that this year ravaged his crop, in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4125.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil producer Federico Dufour walks by olive trees infected by the Bactrocera oleae, an olive fruit fly that this year ravaged his crop, in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4117.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil producer Federico Dufour walks by olive trees infected by the Bactrocera oleae, an olive fruit fly that this year ravaged his crop, in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4114.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil producer Federico Dufour poses for a portrait in front of his farmhoue and by his olive trees in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4072.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Withered olives with holes caused by the Bactrocera oleae, an olive fruit fly that this year ravaged his crop, are left an olive tree in Federico Dufour's property in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4047.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil producer Federico Dufour shows the unusual blossoming of an olive treee which should take place in the spring, here on an olive tree of his property in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4031.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil producer Federico Dufour shows withered olives with holes caused by the Bactrocera oleae, an olive fruit fly that this year ravaged his crop, by olive trees in his property in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_4026.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil earthenware jars ("orcie" in Italian) are stored here in the farm of olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014. These earthenware are no longer used since European regulation imposed the usage of alluminium containers for the storage of olive oil.<br />
<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_3948.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil earthenware jars ("orcie" in Italian) are stored here in the farm of olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014. These earthenware are no longer used since European regulation imposed the usage of alluminium containers for the storage of olive oil.<br />
<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_3946.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil earthenware jars ("orcie" in Italian) are stored here in the farm of olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_3938.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil earthenware jars ("orcie" in Italian) are stored here in the farm of olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014. These earthenware are no longer used since European regulation imposed the usage of alluminium containers for the storage of olive oil.<br />
<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_3934.jpg
  • CALENZANO, ITALY - 24 NOVEMBER 2014: Olive oil earthenware jars ("orcie" in Italian) are stored here in a room of the farm of olive oil producer Federico Dufour in Calenzano, 20 kilometers north of Florence, Italy, on November 24th 2014. These earthenware are no longer used since European regulation imposed the usage of alluminium containers for the storage of olive oil.<br />
<br />
The olive harvest was practically non-existent this fall in Calenzano because of the Bactrocera oleae, an olive fruit fly that this year ravaged entire olive crops. Italy’s Institute of Services for Agriculture and Food Market, or ISMEA, calculated that olive oil production fell on average by 35 percent from 302,000 tons from 463,000 the previous year.
    CIPG_20141124_NYT_OliveOil__M3_3928.jpg
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