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  • ROME, ITALY - 2 JULY 2018: The cast of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, bows to the audience after their performance on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Giulia Mazzola (as Gilda) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Giulia Mazzola (as Gilda) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Jan Antem (as Marullo) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: "Rigoletto", an opera in three acts by composer Giuseppe Verdi, is performed here on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of Gianluigi Toccafondo's scene of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Andrii Ganchuk (as Rigoletto) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Domingo Pellicola (as as Il Duca di Mantova) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the scene by Gianluigi Toccafondo is seen here from the backstage during the performance of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Andrii Ganchuk (as Rigoletto) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience is seen here shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Giulia Mazzola (as Gilda) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (R-L) Domingo Pellicola (as Il Duca di Mantova)and Andrii Ganchuk (as Rigoletto) are seen here backstage before their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Giulia Mazzola (center, as Gilda), Andrii Ganchuk (left, as Rigoletto) and Jaime Canto Navarro (right, as Matteo Borsa) are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Spectators bring their own chairs to watch "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Spectators bring their own chairs to watch "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Spectators bring their own chairs to watch "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Residents of Corviale, a suburb of Rome, sit at a reserved dinner table as they wait for the start of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Teenagers pratice juggling during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Teenagers standing on stilts are seen here during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Circus and Parkour Instructor Antonio Bosso (25) juggles with a teenager during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: A child's painting quoting "The right to study" is seen here at the headquarters of  "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Teenagers practice parkour at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Angela Cuccaro (19), an aerial dancer, poses for a portrait at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Angela Cuccaro (19) is seen here as she performs aerial dance at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Angela Cuccaro (19) is seen here as she performs aerial dance at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Founder and President of "Il Tappeto di Iqbal" Giovanni Savino (38, center) talks to a teenager who missed school and a potential school-dropout, while  Vice-President Marco Riccio (25, left) listens to the conversation, here at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Elementary school children watch "Inside Out", a 3D animated comedy-drama, during after-school activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Vault horses are seen here in the gym of "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Founder and President of "Il Tappeto di Iqbal" Giovanni Savino (38) is seen here at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: (R-L) Marco Riccio (25) and Mattia Formicola (22) are seen here while teenagers warm-up before a parkour class at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Teenagers do yoga during a warm-up session before a parkour class at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Teenagers are seen here during a warm-up session before a parkour class at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • ROME, ITALY - 27 JUNE 2017: Director Carlo Donadio conducts the Youth Orchestra of the Teatro dell'Opera di Roma during the performance of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_616...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience watches the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_610...jpg
  • ROME, ITALY - 27 JUNE 2017: Actresss Vittoria Faro is seen here backstage before going on stage to perform for the  "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_607...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience watches the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_602...jpg
  • ROME, ITALY - 27 JUNE 2017: (L-R) Opera singer  Veronica Marini (in the role of Donna Anna) is seen here on stage performing in the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_595...jpg
  • ROME, ITALY - 27 JUNE 2017: Opera singer Murat Carlo Feola (in the role of Leporello) is seen here on stage performing in the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_583...jpg
  • ROME, ITALY - 27 JUNE 2017: Opera singer Maharram Huseynov (in the role of Don Giovanni) is seen here as he walks up on stage for the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_580...jpg
  • ROME, ITALY - 27 JUNE 2017: Opera singer Maharram Huseynov (in the role of Don Giovanni) is seen here shortly before the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, at the Aldo Fabrizi library (used as a changing room) in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_574...jpg
  • ROME, ITALY - 27 JUNE 2017: Opera singer Federico Cavarzan rehearses before his performance of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, at the Aldo Fabrizi library (used as a changing room) in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_573...jpg
  • ROME, ITALY - 27 JUNE 2017: (R-L) Costume assistant Francesca Ghermandi (top), Opera singers and actors Veronica Marini (bottom), Vittoria Faro and Murat Can Guvem of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, get ready at the Aldo Fabrizi library (used as a changing room) before the premiere in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_566...jpg
  • ROME, ITALY - 27 JUNE 2017: (R-L) Opera singers and actors Veronica Marini, Vittoria Faro, Murat Can Guvem and Maharram Huseynov of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, get ready at the Aldo Fabrizi library (used as a changing room) before the premiere in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_565...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience waits for the premiere of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_554...jpg
  • ROME, ITALY - 27 JUNE 2017: Props of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, are sen here in the backstage of the truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_550...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience wait fo the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_543...jpg
  • ROME, ITALY - 27 JUNE 2017: A man walks by the social housing in San Basilio, a Roman suburb where the "Don Giovanni OperaCamion" - an open-air opera performed on a truck - will take place, in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_542...jpg
  • ROME, ITALY - 27 JUNE 2017: Director Fabio Cherstich steps outside the truck of the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_487...jpg
  • ROME, ITALY - 2 JULY 2018: The cast and musicians of the Youth Orchestra of the Teatro dell'Opera di Roma are seen here backstage before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The cast of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, bows to the audience after their performance on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (R-L) Giulia Mazzola (as Gilda) and Jan Antem (as Marullo) are seen here backstage shortly before going on stage to perform their roles in the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Domingo Pellicola (as as Il Duca di Mantova) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Jan Antem (as Marullo) is seen shortly before going on stage to perform his role in the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Jan Antem (as Marullo) is seen shortly before going on stage to perform his role in the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Andrii Ganchuk (as Rigoletto) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The cast and musicians of the Youth Orchestra of the Teatro dell'Opera di Roma are seen here backstage before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Musicians of the Youth Orchestra of the Teatro dell'Opera di Roma takes a selfie with Domingo Pellicola (as Il Duca di Mantova) shortly before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience is seen here shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018:  Domingo Pellicola (as Il Duca di Mantova) rehearses before his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018:  Domingo Pellicola (left, as Il Duca di Mantova) and Sara Rocchi (right, as the Contessa di Ceprano)  are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Jan Antem (center, as Marullo) and Johnny Bombino (right, as the Conte di Ceprano), are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Crutches used for the costumes of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, are seen here backstge before the performance on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Giulia Mazzola (center, as Gilda) and Domingo Pellicola (left, as Il Duca di Mantova) are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018:  The cast of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, gets ready before their performance on the OperaCamion truck in Corviale,  a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Residents of Corviale, a suburb of Rome, sit at a reserved dinner table as they wait for the start of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the backstage of the , "Rigoletto", an opera in three acts by composer Giuseppe Verdi, and of the OperaCamion truck in Corviale, a suburb in Rome, Italy, shortly before the start of the performance on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A costumer checks a dress shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A waiter prepares a reserved table at a cafe shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. d by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: (L-R) Members and Instructors of "Il Tappet o di Iqbal" Carlo Epifani (19), Mattia Formicola (22, top), Pietro Esposito (21, bottom), Ciro Grimaldi (22), Founder and President Giovanni Savino (38), Caterina Spezzaferri (29, top), Chiara Scognamiglio (20, bottom), Michelangelo Ravone (23), Antonio Bosso (25) and Vice-President Marco Riccio (25) pose for a portrait at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Abstract paintings made by children during their after-school activity are seen here at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Abstract paintings made by children during their after-school activity are seen here at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Founder and President of "Il Tappeto di Iqbal" Giovanni Savino (38) is seen here with elementary school children during after-school activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Elementary school children are seen after their after-school activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Aerial Dance instructor Caterina Spezzaferri (29) teaches aerial dance to teenagers at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Aerial Dance instructor Caterina Spezzaferri (29) teaches aerial dance to teenagers at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Aerial Dance instructor Caterina Spezzaferri (29) teaches aerial dance to teenagers at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: (R-L) Circus instructor Antonio Bosso (25) hugs Carllo Borrelli (23)  at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: (L-R) Antonio Bosso (25), Carllo Borrelli (23) and Carlo Epifani (19), workers of "Il Tappeto di Iqbal" pose for a portait at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Buildings of the Barra neighborhood are seen here from the gym of  "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: A teenager standing on stilts looks at the Barra neighborhood from the gym during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Vice-President of "Il Tappeto di Iqbal" Marco Riccio (25) juggles with a teenager during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Michelangelo Ravone (23, right) teaches diabolo to a teenager at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Vice-President of "Il Tappeto di Iqbal" Marco Riccio (25) juggles with a teenagers during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: A teenagers holds jigglings balls during the circus activity at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
  • NAPLES, ITALY - 16 MARCH 2018: Aerial Dance instructor Caterina Spezzaferri (29) teaches aerial dance to teenagers at "Il Tappeto di Iqbal" (Iqbal's carpet), a non-profit cooperative in Barra, the estern district of Naples, Italy, on March 16th 2018.<br />
<br />
Il Tappeto di Iqbal (Iqbal’s Carpet) is a non-profit cooperative founded in 2015 and Save The Children partner since 2015 that operates in the Naple’s eastern neighborhood of Barra children in the arts of circus, theater and parkour. It was named after Iqbal Masih, a Pakistani boy who escaped from life as a child slave and became an activist against bonded labor in the 1990s.<br />
Barra, which is home to some 45,000 people, has the highest rate of school dropouts in the Italian region of Campania. Once a thriving industrial community, many of the factories were destroyed in a 1980 earthquake and never rebuilt. The resulting de-industrialization turned Barra into a poor, decaying neighborhood. There are no cinemas, theaters, parks or public spaces in Barra.<br />
The vast majority of children from poor families are faced with the choice of working in the black economy or joining the ranks of the organised crime.<br />
Recently, Save the Children Italy opened a number of educational and social spaces in Barra. The centers, known as Punti Luce, or points of light, aim to help local kids stay out of the ranks of the organised crime and have also become hubs for Iqbal's Carpet to work.
    CIPG_20180316_CAUSETTE_NapoliBarra_M...jpg
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