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  • FLORENCE, ITALY - 3 JUNE 2018: Signs of a removed painting are seen at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5034.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs of a removed painting are seen at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5024.jpg
  • PALERMO, ITALY - 30 MAY 2018: Bernardo Tortorici di Raffadali, President of the "Amici dei Musei Siciliani" association, stands on a reproduction of Caravaggio's "Nativity", here in a room adjacent the Oratory of San Lorenzo, in Palermo, Italy, on May 30th 2018. According to one of the versions surrounding the mystery of the theft, a Mafia turncoat may have used the painting as a carpet next to his bed.<br />
<br />
In October 1969 thieves broke into the Oratory of San Lorenzo, a small chapel in Palermo’s then dilapidated Kalsa quarter, and made off with one of the city’s artistic masterpieces: Caravaggio’s “Nativity” altarpiece.<br />
<br />
Nearly 50 years after it was stolen, possible evidence suggests that Caravaggio Nativity may have been cut up and sold, according to Gaetano Grado, a Mafia. turncoat. The Antimafia Commission checked out on various fronts Mr. Grado's accounts, and Rosy Bindi, the president of the Antimafia Commission, presented the findings of the commission — published in May — at the Oratory where the Nativity once hung.
    CIPG_20180530_NYT-Caravaggio_M3_2824.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians transport two Raphael paintings, "Portrait of a Young Man with an Apple" and "Portrait of Pope Julius II" to Palazzo Pitti from the Uffizi gallery, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5253.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The stained wall that previously hosted the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael round 1504-1505, is seen here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5509.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Maurizio Catolfi, a museum<br />
official with oversight for security, opens the door to the  Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, for the museum technicians transporting two Raphael paintings here to Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5234.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians transport two Raphael paintings through the  Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, here to Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5207.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Maurizio Catolfi, a museum<br />
official with oversight for security, peeks through the keyhole  of the  Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, as he waits for the museum technicians transporting two Raphael paintings here to Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5198.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The portrait of Maddalena Strozzi, painted by Raphael round 1504-1505, is seen here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4872.jpg
  • FLORENCE, ITALY - 3 JUNE 2018:  The dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael round 1504-1505, are seen here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4869.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here by the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael round 1504-1505, here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4765.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor walks by the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael round 1504-1505, here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4749.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: (L-R) The dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, and the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, are seen here in their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6099.jpg
  • FLORENCE, ITALY - 3 JUNE 2018:  The dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael round 1504-1505, are seen here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5266.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians transport two Raphael paintings, "Portrait of a Young Man with an Apple" and "Portrait of Pope Julius II"   through the  Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, here to Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5237.jpg
  • FLORENCE, ITALY - 3 JUNE 2018:  The portrait of Agnolo Doni, painted by Raphael round 1504-1505, is seen here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4875.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor are seen here by the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael round 1504-1505, here in the Hall of Saturn of Palazzo Pitti before the paintings will be relocated in room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4780.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: An empty room 35, which hosted the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here after all the masterpieces were relocated, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6146.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6139.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6026.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6010.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors look at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5922.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A map of Room 41 of the Uffizi is seen here as technicians install the paintings in the new location at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5900.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5863.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5771.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5683.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5612.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians move the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, from Palazzo Pitti to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5557.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5357.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5325.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors photograph the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4992.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in room 35 of the Uffizi before being relocated to room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4961.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4955.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6144.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6136.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6135.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6129.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: (L-R) The dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, are seen here in their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6112.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6111.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6110.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here next to an Hellenistic era bust of a triton, in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6093.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6008.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the rears of the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, here at their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5947.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5932.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5913.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5910.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5892.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5873.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A detail of the portrait of Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5841.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A technician looks at the portrait of Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5839.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5831.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5820.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5796.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5786.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5763.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5755.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5746.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5689.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5671.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5650.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians move the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, from Palazzo Pitti to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5549.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians move the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, from Palazzo Pitti to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5532.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: (R-L) Uffizi Director Eike Schmidt is seen here with museum technicians  in the Hall of Saturn at Palazzo Pitti before moving the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5498.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: (R-L) Uffizi Director Eike Schmidt is seen here with museum technicians  in the Hall of Saturn at Palazzo Pitti before moving the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5490.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians are seen here in the Hall of Saturn at Palazzo Pitti as they start transporting the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5477.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt points out the mythological scene by Master of Serumido, an artist in<br />
Raphael’s workshop, in the rear of Raphael's portrait of Maddalena Strozzi, here in the Hall of Saturn at Palazzo Pitti before moving the paintings to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5428.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians are seen here in the Hall of Saturn at Palazzo Pitti as they start transporting the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5417.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians are seen here in the Hall of Saturn at Palazzo Pitti shortly before the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5395.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5381.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5363.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5347.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5322.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt is seen here at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5285.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt is seen here at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5283.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Maurizio Catolfi, a museum<br />
official with oversight for security, opens the door of the  Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, here at Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5192.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The iron keys to the access door of the Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, are seen here at Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5182.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors are seen here by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4979.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in room 35 of the Uffizi before being relocated to room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4972.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors are seen here by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4933.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors photograph the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4907.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors are seen here by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4898.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in room 35 of the Uffizi before being relocated to room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4888.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, here at their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6067.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6098.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here in room 41, dedicated to Raphael and Michelangelo, here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6070.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi curator Francesca De Luca photographs a frame containging Raphael's portrait of Agnolo Tondi, here at its new location  in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5793.jpg
  • FLORENCE, ITALY - 4 JUNE 2018: A view of the Uffizi gallery in Florence, Italy, on June 4th 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6161.jpg
  • FLORENCE, ITALY - 4 JUNE 2018: A view of the Uffizi gallery in Florence, Italy, on June 4th 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6156.jpg
  • FLORENCE, ITALY - 4 JUNE 2018: A janitor wipes the floow of room 41, dedicated to Raphael and Michelangelo, before the inauguration at the Uffizi, in Florence, Italy, on June 4th 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6152.jpg
  • FLORENCE, ITALY - 4 JUNE 2018: A view of the Arno river and Ponte Vecchio from the Uffizi gallery in Florence, Italy, on June 4th 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6126.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6116.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6115.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6109.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors are seen here in room 41, dedicated to Raphael and Michelangelo, here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6108.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6095.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt is interviewed here in room 41, dedicated to Raphael and Michelangelo, at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6085.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here in room 41, dedicated to Raphael and Michelangelo, here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6074.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The plaque of room 41 dedicated to Raphael and Michelangelo is seen here at the entrance of room 41 at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6065.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors looks at the "Apparition of the Virgin to Saint Bernard" by Fra Bartolomeo, in its new location in room 41 at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6056.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here by the earlier Raphael portraits of Elisabetta Gonzaga and Guidobaldo<br />
da Montefeltro here in their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5945.jpg
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