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  • MARSEILLE, FRANCE - 25 MAY 2014: The viaduct that inspired various painters, including Cézanne, Renoir and Braque between the late 19th century and early 20th century, is here in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8448.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The viaduct that inspired various painters, including Cézanne, Renoir and Braque between the late 19th century and early 20th century, is here in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8443.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The viaduct that inspired various painters, including Cézanne, Renoir and Braque between the late 19th century and early 20th century, is here in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7910.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors cross the bridge between the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, and the historic Fort St Jean, in Marseille, France on May 25th 2014. In the background are Zaha Hadid's CMA CGM tower (left) and Marseille's cathedral (right).
    DSCF0170.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Two elderly women sit on the ferry from L'Estaque to Marseille<br />
 France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8238.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A view of the hillside, the viaduct and the harbor in L'Estaque, Marseille, France on May 25th 2014. <br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8022.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors walk on the quai of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, in Marseille, France on May 25th 2014.
    DSCF0208.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: A view of Zaha Hadid's CMA CGM tower (left) and Marseille's cathedral (right) from the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0200.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors cross the bridge between the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, and the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0197.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors look at the panorama from the bridge between the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, and the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0190.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: A bridge connects the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, to the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0180.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The cathedral of Marseille is here, seen from the ferry between Marseille and L'Estaque, next to the MuCEM (right), <br />
the Museum of European and Mediterranean Civilizations,<br />
in Marseille, France on May 25th 2014.
    CIPG_20140525_NYT_Estaque__M3_8293.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The waterfront of Marseille by the old port, as seen from the ferry arriving from L'Estaque, in Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8229.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: "Ne nous cultive plus, on s'en charge" (don’t educate us anymore, we’ll take care of it) is spray-painted on a cement quai at the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8048.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: An elderly man walks down Boulevard de la Falaise<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7877.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The railroad of the Blue Coast train line passes by the western calanques of the Cote Bleue (Blue Coast) <br />
in L'Estaque, Marseille, France on May 25th 2014. The Blue  Coast, which streches from Marseille to the lake of Etang de Berre for approximately 15 miles, is comprised of 6 miles of entirely preserved nature. The site is also known as Provencal Venice.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7749.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A view of the national road 568 and of the harbor of L'Estaque, seen from the western calanques<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7677.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The railroad of the Blue Coast train line passes by the western calanques of the Cote Bleue (Blue Coast) <br />
in L'Estaque, Marseille, France on May 25th 2014. The Blue  Coast, which streches from Marseille to the lake of Etang de Berre for approximately 15 miles, is comprised of 6 miles of entirely preserved nature. The site is also known as Provencal Venice.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7657.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A view of the church and of the Plage de L'Estaque (the waterfront of l'Estaque) seen from the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7558.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Passengers of the ferry arriving from the old port of Marseille get off at the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7540.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A boy  summersaults into the water of the harbor next to a fisherman<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7497.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man sits at the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7483.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Two women sit at the harbor in L'Estaque, Marseille, France, on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7474.jpg
  • L'ESTAQUE, MARSEILLE, FRANCE - 25 MAY 2014: A view of the church of L'Estaque and of the islands Marseille, in L'Estaque, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8481.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Men are here on the dock by the Muceum, <br />
the Museum of European and Mediterranean Civilizations, in Marseille, France on May 25th 2014.
    CIPG_20140525_NYT_Estaque__M3_8287.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Two young men look at boats and ferries entering the old port of Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8171.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A couple sits on the ferry between L'Estaque and Marseille<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8123.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Men sit on the ferry between L'Estaque and Marseille,<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8091.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man sits on stern of the ferry betwen l'Estaque and Marseille in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8076.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Passengers of the ferry between L'Estaque and Marseille relax on the pier before boarding the ferry<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8034.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A plaque hangs on the house of Place  Malterre where Paul Cézanne live,<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7966.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A kiosk selling local spiecialties such as chichi fégi, a fried dough with hint of crushed black pepper inside and coated in coarse sugar, and panisses, chickpea flour fritters, is here by the waterfront<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7939.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man fishes near the Plage de Corbière<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7797.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The railroad of the Blue Coast train line passes by the western calanques of the Cote Bleue (Blue Coast) <br />
in L'Estaque, Marseille, France on May 25th 2014. The Blue  Coast, which streches from Marseille to the lake of Etang de Berre for approximately 15 miles, is comprised of 6 miles of entirely preserved nature. The site is also known as Provencal Venice.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7650.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man stands on the prow of a sailing ship exiting the old port of  Marseille, France on May 25th 2014. On the background are Zaha Hadid's CMA CGM tower (left) and Marseille's cathedral.
    CIPG_20140525_NYT_Estaque__M3_8178.jpg
  • BAGHERIA, ITALY - 5 MARCH 2020: Artisan and painter Michele Ducato (48) poses for a portrait in his atelier in Bagheria, Italy, on March 5th 2020.<br />
<br />
Michele Ducato was born in Palermo in 1972. He specialised in Applied Arts in high school and then took a degree in Architecture. Since he was<br />
a boy, Michele has pursued an interest in cart painting, an art that has been handed down in his family for three generations, starting with his grandfather, also named Michele, who opened an atelier in Bagheria in 1895 at the age of 14. Working with his father Giuseppe, he is passionately devoted to<br />
the decoration and scrupulous restoration of Sicilian carts. The venerable history of this workshop is tied to the revivial and preservation of this<br />
art, with the aim of sharing it with an ever larger audience and making it accessible to young people.
    CIPG_20200305_DG-MaiolicaBlu_7M30677...jpg
  • BAGHERIA, ITALY - 5 MARCH 2020: A sign saying "I'll be back soon" is seen in the atelier of artisan and painter Michele Ducato (48), in Bagheria, Italy, on March 5th 2020.<br />
<br />
Michele Ducato was born in Palermo in 1972. He specialised in Applied Arts in high school and then took a degree in Architecture. Since he was<br />
a boy, Michele has pursued an interest in cart painting, an art that has been handed down in his family for three generations, starting with his grandfather, also named Michele, who opened an atelier in Bagheria in 1895 at the age of 14. Working with his father Giuseppe, he is passionately devoted to<br />
the decoration and scrupulous restoration of Sicilian carts. The venerable history of this workshop is tied to the revivial and preservation of this<br />
art, with the aim of sharing it with an ever larger audience and making it accessible to young people.
    CIPG_20200305_DG-MaiolicaBlu_7M30617...jpg
  • FLORENCE, ITALY - 3 JUNE 2018: An empty room 35, which hosted the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here after all the masterpieces were relocated, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6146.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6139.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6129.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6098.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6095.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt is interviewed here in room 41, dedicated to Raphael and Michelangelo, at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6085.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here in room 41, dedicated to Raphael and Michelangelo, here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6070.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6026.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6010.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors look at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5922.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A map of Room 41 of the Uffizi is seen here as technicians install the paintings in the new location at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5900.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5863.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5859.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi curator Francesca De Luca photographs a frame containging Raphael's portrait of Agnolo Tondi, here at its new location  in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5793.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5786.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5771.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, to its nice at his new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5689.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5683.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5612.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt is seen here during an aperitivo on the terrace of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5580.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians move the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, from Palazzo Pitti to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5557.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians move the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, from Palazzo Pitti to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5532.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians are seen here in the Hall of Saturn at Palazzo Pitti as they start transporting the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5477.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A museum technician holds Raphael's portrait of Agnolo Tondi here in the Hall of Saturn at Palazzo Pitti before transporting it to its new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5453.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5357.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait in the Hall of Saturn at Palazzo Pitti before overseeing the transportation of dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, to their new location at room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5325.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Museum technicians transport two Raphael paintings, "Portrait of a Young Man with an Apple" and "Portrait of Pope Julius II" to Palazzo Pitti from the Uffizi gallery, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5253.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Maurizio Catolfi, a museum<br />
official with oversight for security, opens the door to the  Vasari corridor, an<br />
800-meter long passageway which links Palazzo Pitti to the Uffizi gallery, for the museum technicians transporting two Raphael paintings here to Palazzo Pitti, in Florence, Italy, on June 3rd 2018. The Vasari corridor is used to move paintings between the Uffizi gallery and Palazzo Pitti.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5234.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: "Bacchus" (1595) by Caravaggio is seen here in its new room inaugurated in February 2018 at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5128.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: "The Baptism of Christ" (1472-1475 ca) by Leonardo da Vinci, is seen here at the Uffizi, before being relocated next month to a new room, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5086.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: "Portrait of a Young Man with an Apple" (1504-1505 ca) and "Portrait of Pope Julius II" (1511-1512 ca) by Raphael are seen here at the Uffizi before being relocated at Palazzo Pitti, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5077.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors photograph the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4992.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors are seen here by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4979.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in room 35 of the Uffizi before being relocated to room 41 of the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4961.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4955.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors photograph the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_4907.jpg
  • FLORENCE, ITALY - 4 JUNE 2018: A view of the Uffizi gallery in Florence, Italy, on June 4th 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6161.jpg
  • FLORENCE, ITALY - 4 JUNE 2018: A janitor wipes the floow of room 41, dedicated to Raphael and Michelangelo, before the inauguration at the Uffizi, in Florence, Italy, on June 4th 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6152.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Signs left by the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, here in room 35 of the Uffizi before being relocated to room 41, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180604_NYT-Uffizi_M3_6144.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6115.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: (L-R) The dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, are seen here in their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6112.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6111.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6110.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A view of room 41, dedicated to Raphael and Michelangelo, is seen here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6109.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors are seen here in room 41, dedicated to Raphael and Michelangelo, here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6108.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: (L-R) The dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, and the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, are seen here in their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6099.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here next to an Hellenistic era bust of a triton, in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6093.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor is seen here in room 41, dedicated to Raphael and Michelangelo, here at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6074.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, here at their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6067.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Visitors looks at the "Apparition of the Virgin to Saint Bernard" by Fra Bartolomeo, in its new location in room 41 at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_6056.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the rears of the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, here at their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5947.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the earlier Raphael portraits of Elisabetta Gonzaga and Guidobaldo<br />
da Montefeltro here in their new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5942.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5932.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5913.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A visitor looks at the “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504,  here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5910.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5892.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: The “Holy Family”, also known as the Doni Tondo, that Michelangelo painted for the Doni couple around 1503-1504, is seen here in its new location in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5873.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Uffizi Director Eike Schmidt poses for a portrait at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5854.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A detail of the portrait of Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5841.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A technician looks at the portrait of Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5839.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: Technicians are seen here at work as they position the dual portraits of Agnolo Doni and his wife Maddalena Strozzi, painted by Raphael, in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5831.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A detail of a plaque next to the mythological scene by Master of Serumido, an artist in<br />
Raphael’s workshop, in the rear of Raphael's portrait of Maddalena Strozzi,  here at its new location  in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5814.jpg
  • FLORENCE, ITALY - 3 JUNE 2018: A techinician unscrews the frame containging Raphael's portrait of Agnolo Tondi, here at its new location  in room 41at the Uffizi, in Florence, Italy, on June 3rd 2018.<br />
<br />
As of Monday June 4th 2018, Room 41 or the “Raphael and Michelangelo room” of the Uffizi is part of the rearrangement of the museum's collection that has<br />
been defining Uffizi Director Eike Schmidt’s grander vision for the Florentine museum.<br />
Next month, the museum’s Leonardo three paintings will be installed in a<br />
nearby room. Together, these artists capture “a magic moment in the<br />
first decade of the 16th century when Florence was the cultural and<br />
artistic center of the world,” Mr. Schmidt said. Room 41 hosts, among other paintings, the dual portraits of Agnolo Doni and his wife Maddalena Strozzi painted by Raphael round 1504-1505, and the “Holy Family”, that Michelangelo painted for the Doni couple a year later, known as the<br />
Doni Tondo.
    CIPG_20180603_NYT-Uffizi_M3_5806.jpg
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