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  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_6263.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4424.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3489.jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here at the entrance of her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: An interior view of the boutique of Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: An interior view of the boutique of Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: A piercing earromg wotj pearl and white diamond (white gold) earring is worn by Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: A piercing earromg wotj pearl and white diamond (white gold) earring is worn by Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: A three floating diamond ring worn by Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: A wedding bracelet (double bangle of gold and diamonds) and a DOTS diamonds and emerald yellow gold ring are worn by Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, are seen here in her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: A wedding bracelet (double bangle of gold and diamonds) is worn by Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing  TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3537.jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_6311.jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_6208.jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_6150.jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_5989.jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_5962.jpg
  • New York, February 7th 2008. Fashion Week. Reem Acra show at the Promenade in Bryant Park. Lead: Gavin Harwin.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080207_MG_5902.jpg
  • New York, February 6th 2008. Fashion Week. Bryan Reyes show at the Plaza Grand Ballroom, 5th ave at 58th street. Lead: Yannick<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080206_MG_5400.jpg
  • New York, February 6th 2008. Fashion Week. Bryan Reyes show at the Plaza Grand Ballroom, 5th ave at 58th street. Lead: Yannick<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080206_MG_5393.jpg
  • New York, February 6th 2008. Fashion Week. Bryan Reyes show at the Plaza Grand Ballroom, 5th ave at 58th street. Lead: Yannick<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080206_MG_5384.jpg
  • New York, February 6th 2008. Fashion Week. Bryan Reyes show at the Plaza Grand Ballroom, 5th ave at 58th street. Lead: Yannick<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080206_MG_5379.jpg
  • New York, February 6th 2008. Fashion Week. Bryan Reyes show at the Plaza Grand Ballroom, 5th ave at 58th street. Lead: Yannick<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080206_MG_5292.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_5206.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_5201.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_5191.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_5134.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_5095.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_5021.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_4812.jpg
  • New York, February 3rd 2008. Fashion Week. Angel Sanchez show at the Salon at Bryant Park. Lead: Rodney Cutler<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080203_MG_4765.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4457.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4448.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4442.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4407.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4401.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4360.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4311.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4245.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4235.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4233.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4200.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4120.jpg
  • New York, February 2nd 2008. Fashion Week. James Coviello show at 15 East 27th street. Lead: Rodney Cutler / Jenny B.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080202_MG_4111.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080201IMG_3880.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080201IMG_3858.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131IMG_3768.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3805.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3790.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3760.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3655.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3638.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3537.jpg
  • ROME, ITALY - 20 NOVEMBER 2019: A wedding bracelet (double bangle of gold and diamonds) is worn by Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, is seen here in her boutique in Rome, Italy, on November 20th 2019. <br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand), a DOTS diamonds yellow hold ring (left hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • ROME, ITALY - 20 NOVEMBER 2019: Delfina Delettrez, a Rome-based jewelry designer and fourth generation member of the Fendi family, poses for a portrait in her boutique in Rome, Italy, on November 20th 2019. In this photo she is wearing a DOTS diamonds and emerald yellow gold ring (right hand) and TWO IN ONE earrings.<br />
<br />
Delfina Delettrez presented her first collection of jewels to the international press in October 2007 at Colette, Paris. Delettrez is celebrated as the youngest designer with a permanent collection at the Louvre’s Musée des Arts Decoratifs since 2010, as well as being featured in famous fine-jewelry galleries around the world. Her latest works explore a conceptual sense of surreal, with precious stones in ‘phantom settings’ that seem to float on the body. The designer takes postmodern inspirations and fuses them with the traditional Italian craftsmanship to create hyper-modern, handmade pieces.
    CIPG_20191120_NYT-Delfina-Delettrez_...jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3638.jpg
  • New York, February 1st 2008. Fashion Week. Sylvia Heisel show time at Gramercy Starck (344 3rd Ave). Lead: Rodney Cutler.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080201_MG_3993.jpg
  • New York, January 31st 2008. Fashion Week. Nicole Romano Presentation at The Espace, 635W 42nd street. Lead: Sydney Baumgartner.<br />
©2008 Gianni Cipriano<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    GCipriano_5D_20080131_MG_3484.jpg
  • PRATO, ITALY - 4 December 2013: A Chinese worker of one of the 3,200 clothing factories in Prato walks by the fast fashion outlet "Pronto Moda Teresa" where seven Chinese workers died  and two were badly injured after a fire swept through on Sunday, in Prato, Italy, on December 4th 2013.<br />
<br />
The city of Prato has the largest concentration of Chinese in Europe, as well as having the second largest population of Chinese people overall in Italy, after Milan. The Chinese who have come to Prato since the late 1980s have transformed the city and its centuries-old textile industry.
    CIPG_20131204_INYT_Prato__M3_0423.jpg
  • PRATO, ITALY - 26 NOVEMBER 2019: Signs advertise  Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 26th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191127_NYT_Italy-Cris_M3_3332.jpg
  • PRATO, ITALY - 27 NOVEMBER 2019: Chinese clothes are shown here in a showroom of a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 27th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191127_NYT_Italy-Cris_M3_3310.jpg
  • PRATO, ITALY - 27 NOVEMBER 2019: Chinese clothes with a "Made in Italy" label are shown here in a showroom of a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 27th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191127_NYT_Italy-Cris_M3_3300.jpg
  • PRATO, ITALY - 26 NOVEMBER 2019: Chinese immigrants are seen here loading a truck at a showroom of a Chinese Pronto Moda (Fast Fashion) retailer in the textile industrial area of Prato, Italy, on November 26th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191126_NYT_Italy-Cris_M3_3275.jpg
  • PRATO, ITALY - 26 NOVEMBER 2019: A sign advertises a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 26th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191126_NYT_Italy-Cris_M3_3241.jpg
  • PRATO, ITALY - 26 NOVEMBER 2019: A building with Chinese Pronto Moda (Fast Fashion) retailers is seen here in the textile industrial area of Prato, Italy, on November 26th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191126_NYT_Italy-Cris_M3_3172.jpg
  • PRATO, ITALY - 26 NOVEMBER 2019: A sign advertises a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 26th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191126_NYT_Italy-Cris_M3_3153.jpg
  • PRATO, ITALY - 25 NOVEMBER 2019: Chinese furs are seen here outside a showroom of a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 25th 2019.<br />
<br />
Today, roughly one-tenth of the city’s 200,000 inhabitants are Chinese immigrants who have arrived legally, while many estimates put the total number at 45,000 after accounting for those without proper documents. <br />
Chinese grocery stores and restaurants have emerged to serve the local population. On the outskirts of the city, Chinese entrepreneurs oversee warehouses teeming with racks of clothing destined for markets across the continent. Estimates have it that 80 percent of clothing sold in street markets within the European Union is made by Chinese workers in Prato.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fas
    CIPG_20191125_NYT_Italy-Cris_M3_2103.jpg
  • PRATO, ITALY - 25 NOVEMBER 2019: Chinese clothes are shown here in a showroom of a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 25th 2019.<br />
<br />
Today, roughly one-tenth of the city’s 200,000 inhabitants are Chinese immigrants who have arrived legally, while many estimates put the total number at 45,000 after accounting for those without proper documents. <br />
Chinese grocery stores and restaurants have emerged to serve the local population. On the outskirts of the city, Chinese entrepreneurs oversee warehouses teeming with racks of clothing destined for markets across the continent. Estimates have it that 80 percent of clothing sold in street markets within the European Union is made by Chinese workers in Prato.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fash
    CIPG_20191125_NYT_Italy-Cris_M3_2086.jpg
  • PRATO, ITALY - 4 December 2013: Chinese people come to see the fast fashion outlet "Pronto Moda Teresa" where seven Chinese workers died  and two were badly injured after a fire swept through on Sunday, in Prato, Italy, on December 4th 2013.<br />
<br />
The city of Prato has the largest concentration of Chinese in Europe, as well as having the second largest population of Chinese people overall in Italy, after Milan. The Chinese who have come to Prato since the late 1980s have transformed the city and its centuries-old textile industry.
    CIPG_20131204_INYT_Prato__M3_0531.jpg
  • PRATO, ITALY - 4 December 2013: Buttons are spread here on the floor by the entrance door of the fast fashion outlet "Pronto Moda Teresa" where seven Chinese workers died  and two were badly injured after a fire swept through on Sunday, in Prato, Italy, on December 4th 2013.<br />
<br />
The city of Prato has the largest concentration of Chinese in Europe, as well as having the second largest population of Chinese people overall in Italy, after Milan. The Chinese who have come to Prato since the late 1980s have transformed the city and its centuries-old textile industry.
    CIPG_20131204_INYT_Prato__M3_0411.jpg
  • PRATO, ITALY - 4 December 2013: Candles and flowers are left outside the fast fashion outlet "Pronto Moda Teresa", under the seven photographs of Chinese workers who died after a fire swept through on Sunday, in Prato, Italy, on December 4th 2013. Other two Chinese workers were badly injured.<br />
<br />
The city of Prato has the largest concentration of Chinese in Europe, as well as having the second largest population of Chinese people overall in Italy, after Milan. The Chinese who have come to Prato since the late 1980s have transformed the city and its centuries-old textile industry.
    CIPG_20131204_INYT_Prato__M3_0367.jpg
  • PRATO, ITALY - 4 December 2013: Candles and flowers are left outside the fast fashion outlet "Pronto Moda Teresa", under the seven photographs of Chinese workers who died after a fire swept through on Sunday, in Prato, Italy, on December 4th 2013. Other two Chinese workers were badly injured.<br />
<br />
The city of Prato has the largest concentration of Chinese in Europe, as well as having the second largest population of Chinese people overall in Italy, after Milan. The Chinese who have come to Prato since the late 1980s have transformed the city and its centuries-old textile industry.
    CIPG_20131204_INYT_Prato__M3_0362.jpg
  • PRATO, ITALY - 26 NOVEMBER 2019: A sign advertises a Chinese Pronto Moda (Fast Fashion) retailer  in the textile industrial area of Prato, Italy, on November 26th 2019.<br />
<br />
Italy has proved especially vulnerable to China’s emergence as a manufacturing juggernaut, given that many of its artisanal trades -- textiles, leather, shoe-making -- have long been dominated by small, family-run businesses that lacked the scale to compete on price with factories in a nation of 1.4 billion people. <br />
In recent years, four Italian regions that were as late as the 1980s electing Communists and then reliably supported center-left candidates -- Tuscany, Umbria, Marche and Emilia-Romagna  -- have swung dramatically to the extreme right. Many working class people say that delineation has it backwards: The left abandoned them, not the other way around. <br />
<br />
Between 2001 and 2011, Prato’s 6,000 textile companies shrunk to 3,000, and those employed by the plants plunged from 40,000 to 19,000, according to Confindustria, the leading Italian industrial trade association. As Prato’s factories went dark, people began arriving from China - mostly from the coastal city of Wenzhou, famed for its industriousness - to exploit an opportunity.<br />
They set up sewing machines across the concrete floors and imported fabric from factories in China. They sewed clothes, cannily imitating the styles of Italian fashion brands. They affixed a valuable label to their creations: “Made In Italy”.
    CIPG_20191127_NYT_Italy-Cris_M3_3344.jpg
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