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  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo walks by the Duomo of Siracusa in Piazza Duomo, Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The viaduct that inspired various painters, including Cézanne, Renoir and Braque between the late 19th century and early 20th century, is here in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8448.jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: The Duomo of Siracusa, here in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: A mother and daughter play at the fountain of Piazza Archimede in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait in the historical center of Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo walks towards the sea in the historical center of Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait while he sketches in his studio, in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo places a  a necklace made of 19th century coral from Sciacca (Southern Sicily) and yellow 18kt gold clamps with natural acquamarine from Brazil in a display cabinet in his boutique in Siracusa, Italy, on February 15th 2016. This necklace is part of the Jewels of the Sea collection.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: The boutique of jeweler Massimo Izzo, here in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo holds a bracelet from the Sicilian Lace collection in 18kt gold with lapis lazuli and peridot and diamonds, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: (L-R)  A peridot, an acquamarine from Brazil and a mandarin garnet from the Jewels of the Sea collection are set up here on the working table of jeweler Massimo Izzo in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Lost-wax casts, sketches and raw stones such as acquamarines and morganites, are here on the working table of jeweler Massimo Izzo's atelier in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The viaduct that inspired various painters, including Cézanne, Renoir and Braque between the late 19th century and early 20th century, is here in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8443.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The viaduct that inspired various painters, including Cézanne, Renoir and Braque between the late 19th century and early 20th century, is here in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7910.jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: People stroll in Piazza Duomo in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo is here in his ancient manor farm in the outskirts of Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo is here in his ancient manor farm in the outskirts of Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo sits at a restaurant in the historical center of Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo walks in the streets of Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: The working table of jeweler Massimo Izzo is here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait while he sketches in his studio, in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: (L-R) A bracelet from the Sicilian Lace collection in 18kt gold with lapis lazuli and peridot and diamonds; a necklace and bracelet made of 19th century coral from Sciacca (Southern Sicily) and yellow 18kt gold clamps with natural acquamarine from Brazil, are set up here on a table in the studio of jeweler Massimo Izzo in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: A bracelet from the Sicilian Lace collection in 18kt gold with lapis lazuli and peridot and diamonds, is set up here next to its sketch on a table in the studio of jeweler Massimo Izzo, here  in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo poses for a portrait in his boutique in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo holds a bracelet from the Sicilian Lace collection in 18kt gold with lapis lazuli and peridot and diamonds, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_8...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: (L-R) A bracelet from the Sicilian Lace collection in 18kt gold with lapis lazuli and peridot and diamonds, and parts of jewels and stones of the Jewels of the Sea collection such as a peridot, an acquamarine from Brazil, a mandarin garnet and an 18kt gold ring next to a starfish coral, are set up here on the working table of jeweler Massimo Izzo in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs where he will later place a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on a 18kt gold ring with sea motifs and a coral starfish from Sardinia, here in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • CATANIA, ITALY - 15 FEBRUARY 2016: Jeweler Massimo Izzo works on the lost-wax cast of a bracelet with seahorses and single piece of raw acquamarine from Brazil, here  in his atelier in Siracusa, Italy, on February 15th 2016.<br />
<br />
Massimo Izzo is a designer and creator of high-end jewelry inspired by Sicily and the Mediterranean culture.
    CIPG_20160215_INYT_MassimoIzzo__M3_7...jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors cross the bridge between the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, and the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0197.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors cross the bridge between the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, and the historic Fort St Jean, in Marseille, France on May 25th 2014. In the background are Zaha Hadid's CMA CGM tower (left) and Marseille's cathedral (right).
    DSCF0170.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Men are here on the dock by the Muceum, <br />
the Museum of European and Mediterranean Civilizations, in Marseille, France on May 25th 2014.
    CIPG_20140525_NYT_Estaque__M3_8287.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Two elderly women sit on the ferry from L'Estaque to Marseille<br />
 France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8238.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The waterfront of Marseille by the old port, as seen from the ferry arriving from L'Estaque, in Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8229.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A couple sits on the ferry between L'Estaque and Marseille<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8123.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Men sit on the ferry between L'Estaque and Marseille,<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8091.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man sits on stern of the ferry betwen l'Estaque and Marseille in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8076.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Passengers of the ferry between L'Estaque and Marseille relax on the pier before boarding the ferry<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8034.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A view of the hillside, the viaduct and the harbor in L'Estaque, Marseille, France on May 25th 2014. <br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8022.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: An elderly man walks down Boulevard de la Falaise<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7877.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Passengers of the ferry arriving from the old port of Marseille get off at the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7540.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Two women sit at the harbor in L'Estaque, Marseille, France, on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7474.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors walk on the quai of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, in Marseille, France on May 25th 2014.
    DSCF0208.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: A view of Zaha Hadid's CMA CGM tower (left) and Marseille's cathedral (right) from the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0200.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: Visitors look at the panorama from the bridge between the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, and the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0190.jpg
  • MARSEILLE, FRANCE - 26 MAY 2014: A bridge connects the top of the MuCEM,<br />
the Museum of European and Mediterranean Civilizations, to the historic Fort St Jean, in Marseille, France on May 25th 2014.
    DSCF0180.jpg
  • L'ESTAQUE, MARSEILLE, FRANCE - 25 MAY 2014: A view of the church of L'Estaque and of the islands Marseille, in L'Estaque, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8481.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The cathedral of Marseille is here, seen from the ferry between Marseille and L'Estaque, next to the MuCEM (right), <br />
the Museum of European and Mediterranean Civilizations,<br />
in Marseille, France on May 25th 2014.
    CIPG_20140525_NYT_Estaque__M3_8293.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man stands on the prow of a sailing ship exiting the old port of  Marseille, France on May 25th 2014. On the background are Zaha Hadid's CMA CGM tower (left) and Marseille's cathedral.
    CIPG_20140525_NYT_Estaque__M3_8178.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: Two young men look at boats and ferries entering the old port of Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8171.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: "Ne nous cultive plus, on s'en charge" (don’t educate us anymore, we’ll take care of it) is spray-painted on a cement quai at the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_8048.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A plaque hangs on the house of Place  Malterre where Paul Cézanne live,<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7966.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A kiosk selling local spiecialties such as chichi fégi, a fried dough with hint of crushed black pepper inside and coated in coarse sugar, and panisses, chickpea flour fritters, is here by the waterfront<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7939.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man fishes near the Plage de Corbière<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7797.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The railroad of the Blue Coast train line passes by the western calanques of the Cote Bleue (Blue Coast) <br />
in L'Estaque, Marseille, France on May 25th 2014. The Blue  Coast, which streches from Marseille to the lake of Etang de Berre for approximately 15 miles, is comprised of 6 miles of entirely preserved nature. The site is also known as Provencal Venice.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7749.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A view of the national road 568 and of the harbor of L'Estaque, seen from the western calanques<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7677.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The railroad of the Blue Coast train line passes by the western calanques of the Cote Bleue (Blue Coast) <br />
in L'Estaque, Marseille, France on May 25th 2014. The Blue  Coast, which streches from Marseille to the lake of Etang de Berre for approximately 15 miles, is comprised of 6 miles of entirely preserved nature. The site is also known as Provencal Venice.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7657.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: The railroad of the Blue Coast train line passes by the western calanques of the Cote Bleue (Blue Coast) <br />
in L'Estaque, Marseille, France on May 25th 2014. The Blue  Coast, which streches from Marseille to the lake of Etang de Berre for approximately 15 miles, is comprised of 6 miles of entirely preserved nature. The site is also known as Provencal Venice.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140525_NYT_Estaque__M3_7650.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A view of the church and of the Plage de L'Estaque (the waterfront of l'Estaque) seen from the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7558.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A boy  summersaults into the water of the harbor next to a fisherman<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7497.jpg
  • MARSEILLE, FRANCE - 25 MAY 2014: A man sits at the harbor<br />
in L'Estaque, Marseille, France on May 25th 2014.<br />
<br />
L'Estaque is a small Fishing village outside Marseille which, for over half a century, attracted a stream of great artists including Paul Cézanne, Pierre-Auguste Renoir, Raoul Dufy and Georges Braque. <br />
Administratively, L'Estaque belongs to the commune of Marseille.
    CIPG_20140524_NYT_Estaque__M3_7483.jpg
  • VENICE, ITALY - 9 MAY 2019: "Il Pozzo di San Patrizio" (2001) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live a
    CIPG_20190509_NYT_Biennale_M3_6995.jpg
  • VENICE, ITALY - 4 JUNE 2016: The full-scale plaster model of a gas hatch used in Auschwitz, is seen here in the Evidence Room exhibition at the 15th Venice Architecture Biennale in Venice, Italy, on June 4th 2016.<br />
<br />
The Evidence Room exhibition, presented by the University of Waterloo lead by Canadian scholar Robert Jan Van Pelt and, is a reconstruction of key architectural elements of Auschwitz that disproved the Holocaust denier David Irving who had sued American scholar Deborah Lipstadt and her publisher for libel.  In her 1994 book Denying the Holocaust: The Growing Assault on Truth and Memory, Lipstadt counted Irving among Hitler apologists and revisionists seeking to downplay the scale of the Holocaust and the systematic murder of six million European Jews. <br />
<br />
Robert Jan van Pelt served as the expert witness in the trial, and his report became one of the sources of inspiration for the new discipline of architectural forensics, which is located at the intersection of architecture, technology, history, law and human rights.<br />
<br />
The exhibition, which force us to examine architecture used for evil – and designed by architects complicit in crimes against humanity, reconstructs some of those forensic details, including full-scale models of a gas column, a gas door, and a wall section with gas-tight hatch – all of which were shown in court to prove beyond a reasonable doubt that Auschwitz was, as Van Pelt says, “a purposefully designed factory of death, equipped with large, homicidal gas chambers and massive incinerators.”
    CIPG_20160604_NYT-Evidence_M3_0094.jpg
  • PRAIANO, ITALY - 21 MAY 2016: Paolo Sandulli, one of the eight artists involved in the Praiano NaturArte project, walks by his 13th century “Torre a Mare” tower studio in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0845.jpg
  • VENICE, ITALY - 9 MAY 2019: "Quattro Stagioni" (2014-2019) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and
    CIPG_20190509_NYT_Biennale_M3_7099.jpg
  • VENICE, ITALY - 9 MAY 2019: A door, which gives access to "The Return of the Invisible Woman (also known as ‘Visites fantastiques<br />
de Vito Acconci au pays<br />
du fouet’)" (2014) by Chiara Fumai, is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes
    CIPG_20190509_NYT_Biennale_M3_7052.jpg
  • VENICE, ITALY - 9 MAY 2019: The environment "Tutto il resto spegnere II (Homage a E. F.)"  (2019) by Enrico David, comprising "The Incessant" (2017), "Racket II" (2017), "Self Dug Trench" (2018),<br />
"Fortress Shadow" (2017),<br />
"Untitled (Orologio)" (2007) are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call atte
    CIPG_20190509_NYT_Biennale_M3_7039.jpg
  • VENICE, ITALY - 9 MAY 2019: "Casa Circondariale" (1988) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and thi
    CIPG_20190509_NYT_Biennale_M3_6954.jpg
  • VENICE, ITALY - 9 MAY 2019: "Another Sky" (2017) by Enrico David is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in �
    CIPG_20190509_NYT_Biennale_M3_6899.jpg
  • VENICE, ITALY - 9 MAY 2019: A visitor looks at "Avvinghiatissimi" (1992) by Liliana Moro in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and
    CIPG_20190509_NYT_Biennale_M3_6860.jpg
  • VENICE, ITALY - 9 MAY 2019: (Artwork unknown) Visitors are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interes
    CIPG_20190509_NYT_Biennale_M3_6846.jpg
  • VENICE, ITALY - 9 MAY 2019: (From front to back) "Life Sentences" (2014) and "Ultra Paste" (2007) by Enrico David are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve
    CIPG_20190509_NYT_Biennale_M3_6838.jpg
  • VENICE, ITALY - 9 MAY 2019: "Ultra Paste" (2007) by Enrico David is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in �
    CIPG_20190509_NYT_Biennale_M3_6829.jpg
  • VENICE, ITALY - 9 MAY 2019: Visitors walk in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6826.jpg
  • ACCIAROLI, ITALY - 14 SEPTEMBER 2018: A view of the Hotel La Scogliera, where Ernest Hemingway stayed in 1951, in Acciaroli, a small fishing village  in the municipality of Pollica, Italy, on September 14th 2018. During his stay in Acciaroli, Ernest Hermingway drew inspiration for his masterpiece "The Old Man and the Sea".<br />
<br />
To understand how people can live longer throughout the world, researchers at University of California, San Diego School of Medicine have teamed up with colleagues at University of Rome La Sapienza to study a group of 300 citizens, all over 100 years old, living in Acciaroli (Pollica), a remote Italian village nestled between the ocean and mountains in Cilento, southern Italy.<br />
<br />
About 1-in-60 of the area’s inhabitants are older than 90, according to the researchers. Such a concentration rivals that of other so-called blue zones, like Sardinia and Okinawa, which have unusually large percentages of very old people. In the 2010 census, about 1-in-163 Americans were 90 or older.
    SMAS_20180914_DE-VOLKSKRANT_Acciarol...jpg
  • ACCIAROLI, ITALY - 14 SEPTEMBER 2018: The entrance of Hotel La Scogliera, where Ernest Hemingway stayed in 1951, in Acciaroli, a small fishing village  in the municipality of Pollica, Italy, on September 14th 2018. During his stay in Acciaroli, Ernest Hermingway drew inspiration for his masterpiece "The Old Man and the Sea".<br />
<br />
To understand how people can live longer throughout the world, researchers at University of California, San Diego School of Medicine have teamed up with colleagues at University of Rome La Sapienza to study a group of 300 citizens, all over 100 years old, living in Acciaroli (Pollica), a remote Italian village nestled between the ocean and mountains in Cilento, southern Italy.<br />
<br />
About 1-in-60 of the area’s inhabitants are older than 90, according to the researchers. Such a concentration rivals that of other so-called blue zones, like Sardinia and Okinawa, which have unusually large percentages of very old people. In the 2010 census, about 1-in-163 Americans were 90 or older.
    SMAS_20180914_DE-VOLKSKRANT_Acciarol...jpg
  • ACCIAROLI, ITALY - 14 SEPTEMBER 2018: A view of the Hotel La Scogliera, where Ernest Hemingway stayed in 1951, in Acciaroli, a small fishing village  in the municipality of Pollica, Italy, on September 14th 2018. During his stay in Acciaroli, Ernest Hermingway drew inspiration for his masterpiece "The Old Man and the Sea".<br />
<br />
To understand how people can live longer throughout the world, researchers at University of California, San Diego School of Medicine have teamed up with colleagues at University of Rome La Sapienza to study a group of 300 citizens, all over 100 years old, living in Acciaroli (Pollica), a remote Italian village nestled between the ocean and mountains in Cilento, southern Italy.<br />
<br />
About 1-in-60 of the area’s inhabitants are older than 90, according to the researchers. Such a concentration rivals that of other so-called blue zones, like Sardinia and Okinawa, which have unusually large percentages of very old people. In the 2010 census, about 1-in-163 Americans were 90 or older.
    SMAS_20180914_DE-VOLKSKRANT_Acciarol...jpg
  • ACCIAROLI, ITALY - 14 SEPTEMBER 2018: A view of the Hotel La Scogliera, where Ernest Hemingway stayed in 1951, in Acciaroli, a small fishing village  in the municipality of Pollica, Italy, on September 14th 2018. During his stay in Acciaroli, Ernest Hermingway drew inspiration for his masterpiece "The Old Man and the Sea".<br />
<br />
To understand how people can live longer throughout the world, researchers at University of California, San Diego School of Medicine have teamed up with colleagues at University of Rome La Sapienza to study a group of 300 citizens, all over 100 years old, living in Acciaroli (Pollica), a remote Italian village nestled between the ocean and mountains in Cilento, southern Italy.<br />
<br />
About 1-in-60 of the area’s inhabitants are older than 90, according to the researchers. Such a concentration rivals that of other so-called blue zones, like Sardinia and Okinawa, which have unusually large percentages of very old people. In the 2010 census, about 1-in-163 Americans were 90 or older.
    CIPG_20180914_DE-VOLKSKRANT_Acciarol...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Wool is seen here running through a textile calender machine which polishes the surface of the fabric and makes it smoother and more glossy, in the Lanificio Leo woolen mill in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-siz
    CIPG_20161117_SoveriaMannelli_5M3_66...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Peppino Leo (95), father of entreprepeneur and heir Emilio Salvatore Leo, poses for a portrait in the historic family business Lanificio Leo in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading sc
    CIPG_20161117_SoveriaMannelli_5M3_66...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Peppino Leo (95), father of entreprepeneur and heir Emilio Salvatore Leo, poses for a portrait in the historic family business Lanificio Leo in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading sc
    CIPG_20161117_SoveriaMannelli_5M3_66...jpg
  • SOVERIA MANNELLI, ITALY - 17 NOVEMBER 2016: Woolen clothing items are dried on the rooftop of the Lanificio Leo woolen mill here in Soveria Mannelli, Italy, on November 17th 2016.<br />
<br />
Lanificio Leo was the first and last machine-operated woolen mill of Calabria, founded in 1873, it employed 50 people until the 1970s, when national policies to develop Italy’s South cut out small businesses and encouraged larger productions or employment in the public administration.<br />
<br />
The woolen mill was on stand-by for about two decades, until Emilio Salvatore Leo, 41, started inviting international designers and artists to summer residencies in Soveria Mannelli. With their inspiration, he tried to envision a future for his mill and his town that was not of a museum of the past,<br />
Over the years, Mr. Leo transformed his family’s industrial converter of Calabrian wool into a brand that makes design products for home and wear. His century old machines now weave wool from Australia or New Zealand, cashmere from Nepal and cotton from Egypt or South America. He calls it a “start-up on scrap metals,” referring to the dozens of different looms that his family acquired over the years.<br />
<br />
Soveria Mannelli is a mountain-top village in the southern region of Calabria that counts 3,070 inhabitants. The town was a strategic outpost until the 1970s, when the main artery road from Naples area to Italy’s south-western tip, Reggio Calabria went through the town. But once the government started building a motorway miles away, it was cut out from the fastest communications and from the most ambitious plans to develop Italy’s South. Instead of despairing, residents benefited of the geographical disadvantage to keep away the mafia infiltrations, and started creating solid businesses thanks to its administrative stability, its forward-thinking mayors and a vibrant entrepreneurship numbering a national, medium-sized publishing house, a leading school furniture manufacturer and an ancient woolen mill.
    CIPG_20161117_SoveriaMannelli_5M3_65...jpg
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