Gianni Cipriano Photography | Archive

  • Archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • About
  • Contact
  • PORTFOLIO
  • Facebook
  • Twitter
x

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Next
359 images found
twitterlinkedinfacebook

Loading ()...

  • PALERMO, ITALY - 15 JUNE 2018: Video installation "Pteridophilia" (2016) by artist Zheng Bo is seen here in the Botanical Garden during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2076.jpg
  • ROME, ITALY - 27 MARCH 2018:  Guests attend the aperitivo at the end of the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_210...jpg
  • ROME, ITALY - 27 MARCH 2018:  Guests and speakers chat at the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_087...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (R-L) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", are seen here during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: The rehearsal of "Winter Journet" takes place before the premiere at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: The rehearsal of "Winter Journet" takes place before the premiere at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (L-R) Ludovico Einaudi (63) , composer of the opera "Winter Journey", is seen here  at work during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (L-R) Ludovico Einaudi (63) , composer of the opera "Winter Journey", is seen here  at work during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Carlo Tenan, conductor of the opera "Winter Journey", is seen here at work  during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (R-L) Ludovico Einaudi (63, Carlo Tenan (in the background) and  Roberto Andò (60), respectively composer, conductor and director of the opera "Winter Journey", are seen here discussing during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: A view of the Royal box of the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (L-R) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", are seen here during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (L-R) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", are seen here during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Francesco Giambrone (62), the superintendent of the Teatro Massimo, poses for a portrait at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Mr Giambrone said that the opera was a natural fit for Palermo, which has remained an open, hospitable city under the guidance of mayor Leoluca Orlando, the most dominant figure in local politics for the past 30 years. <br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Roberto Andò (60), director of the opera "Winter Journey", poses for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Roberto Andò (60), director of the opera "Winter Journey", poses for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019:  Ludovico Einaudi (63), composer of the opera "Winter Journey", poses for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (R-L) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", pose for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (R-L) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", pose for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (R-L) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", pose for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: The rehearsal of "Winter Journet" takes place before the premiere at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (L-R) Ludovico Einaudi (63) , composer of the opera "Winter Journey", is seen here  at work during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (R-L) Ludovico Einaudi (63, Carlo Tenan (in the background) and  Roberto Andò (60), respectively composer, conductor and director of the opera "Winter Journey", are seen here discussing during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019:  Ludovico Einaudi (63), composer of the opera "Winter Journey", poses for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: (L-R) Ludovico Einaudi (63) and Roberto Andò (60), respectively composer and director of the opera "Winter Journey", are seen here during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Francesco Giambrone (62), the superintendent of the Teatro Massimo, poses for a portrait at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Mr Giambrone said that the opera was a natural fit for Palermo, which has remained an open, hospitable city under the guidance of mayor Leoluca Orlando, the most dominant figure in local politics for the past 30 years. <br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Francesco Giambrone (62), the superintendent of the Teatro Massimo, poses for a portrait at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Mr Giambrone said that the opera was a natural fit for Palermo, which has remained an open, hospitable city under the guidance of mayor Leoluca Orlando, the most dominant figure in local politics for the past 30 years. <br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019: Francesco Giambrone (62), the superintendent of the Teatro Massimo, poses for a portrait at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Mr Giambrone said that the opera was a natural fit for Palermo, which has remained an open, hospitable city under the guidance of mayor Leoluca Orlando, the most dominant figure in local politics for the past 30 years. <br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019:  Ludovico Einaudi (63), composer of the opera "Winter Journey", poses for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • PALERMO, ITALY - 1 OCTOBER 2019:  Ludovico Einaudi (63), composer of the opera "Winter Journey", poses for a portrait during the rehearsal  at the Teatro Massimo in Palermo, Italy, on October 1st 2019.<br />
<br />
Co-produced by the Teatro Massimo in Palermo and the Teatro San Carlo in Naples, “Winter Journey”, which has its world premiere here on Friday, tells the story of desperate migration from troubled, war-torn countries towards Europe, in its indifference and rejection. <br />
<br />
“It is a journey towards a country where they will find hostility, a cold welcome or perhaps no welcome at all, to a place where there is a winter of the soul,” said the Italian pianist and composer Ludovico Einaudi, who wrote the score of the opera to a libretto by the Irish novelist and critic Colm Tóibín. “It is a journey to a hostile world, without points of reference, in which your soul can die,” he said. <br />
<br />
The story is told from the perspective of three characters – a man from an unnamed country moving from hardship to hardship on his way to Europe in search of a better life – and the woman and child he has left behind. The choir serves as a Greek chorus while a politician (played by an actor) intervenes intermittently with refrains that will be familiar to many European ears: “The boat cannot dock at our port”, “Why should we deal with this problem” and “We do not want strangers on our streets.”
    CIPG_20191001_NYT_WinterJourney_M3_4...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: The so-called Boat Cemetery, a site where the vessels used by migrants are stocked and abandoned, is seen here in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A view of the northern shore of the island of Lampedusa is seen here in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A sign of the 35th parallel is seen here in the northern shore of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A view of the northern shore of the island of Lampedusa is seen here in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A cross reveals the burial site of an unidentified migrant who died in the attempt of reaching Europe, in the cemetery of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A cross reveals the burial site of an unidentified migrant who died in the attempt of reaching Europe, in the cemetery of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A cross reveals the burial site of an unidentified migrant who died in the attempt of reaching Europe, in the cemetery of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Don Carmelo La Magra, parish of the church of San Gelardo of Lampedusa and against Matteo Salvini's "closed ports" policy, poses for a portait in his church in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Citizens of Lampedusa listen to mayor Salvatore Martello during the May 1st Labor Day celebration and rally in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Salvatore Martello (bottom center), mayor of Lampedusa elected in 2017, rallies during the May 1st Labor Day celebration in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Salvatore Martello (center), mayor of Lampedusa elected in 2017, rallies during the May 1st Labor Day celebration in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Citizens of Lampedusa listen to mayor Salvatore Martello during the May 1st Labor Day celebration and rally in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Citizens of Lampedusa listen to mayor Salvatore Martello during the May 1st Labor Day celebration and rally in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: The port of Lampedusa is seen here at sunrise, in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190501_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Goats graze in the northern part of the island of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190430_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A road is seen here in the nothern part of the island of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190430_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A worker paints a wall in via Roma, the main street of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190430_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: Salvatore Martello, mayor of Lampedusa elected in 2017, is seen here in his office during an interview in the town hall of Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190430_LE-MONDE_Lampedusa_M3_...jpg
  • LAMPEDUSA, ITALY - 30 APRIL 2019: A pro-migration mural stating "Protect People, Not Borders" is seen here in Lampedusa, Italy, on April 30th 2019.<br />
<br />
Since the early 2000s, the island has become a primary European entry point for migrants, mainly coming from Libya. In 2011, many more immigrants moved to Lampedusa during the rebellions in Tunisia and Libya. By May 2011, more than 35,000 immigrants had arrived on the island from Tunisia and Libya. By the end of August, 48,000 had arrived.
    CIPG_20190430_LE-MONDE_Lampedusa_M3_...jpg
  • PALERMO, ITALY - 16 JUNE 2018: An installation by Sicilian artist José Angelino is seen here in the Garden of Villa Garibaldi in Piazza Marina as part of a collateral event of Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_3129.jpg
  • PALERMO, ITALY - 16 JUNE 2018: A visitor is seen here in the Garden of Villa Garibaldi in Piazza Marina during collateral event of Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_3123.jpg
  • PALERMO, ITALY - 16 JUNE 2018: A performance takes place in the Garden of Villa Garibaldi in Piazza Marina as part of a collateral event of Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_3112.jpg
  • PALERMO, ITALY - 16 JUNE 2018: "Festino della Terra (Alaraagbo XIII)" (2018), a mixed media installation by Jelili Atiku is seen here at Palazzo Costantino during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2924.jpg
  • PALERMO, ITALY - 16 JUNE 2018: Visitors are seen here by artist Matilde Cassani's "Tutto" (2018), mixed media installation at Palazzo Costantino during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2886.jpg
  • PALERMO, ITALY - 16 JUNE 2018: Visitors are seen here by artist Matilde Cassani's "Tutto" (2018), mixed media installation at Palazzo Costantino during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2863.jpg
  • PALERMO, ITALY - 16 JUNE 2018: "Videomobile" (2018), a multichannel video installation with sound by Masbedo, is seen here at Palazzo Costantino during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2835.jpg
  • PALERMO, ITALY - 16 JUNE 2018: Majorettes are seen here during Marinella Senatore's performance "Palermo Procession" at Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2777.jpg
  • PALERMO, ITALY - 16 JUNE 2018: A marching band plays for Marinella Senatore's performance "Palermo Procession" at Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2667.jpg
  • PALERMO, ITALY - 16 JUNE 2018: "What is Above is What is Below" (2018) by Cooking Sections is seen here in Giardino dei Giusti during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2546.jpg
  • PALERMO, ITALY - 16 JUNE 2018: "What is Above is What is Below" (2018) by Cooking Sections is seen here in Giardino dei Giusti during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2533.jpg
  • PALERMO, ITALY - 16 JUNE 2018: "What is Above is What is Below" (2018) by Cooking Sections is seen here in Giardino dei Giusti during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2486.jpg
  • PALERMO, ITALY - 16 JUNE 2018: A view of the National Archive of Palermo used for the site-specific video installation "Protocol no. 90/6" by Masbedo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2422.jpg
  • PALERMO, ITALY - 16 JUNE 2018: Site-specific video installation "Protocol no. 90/6" by Masbedo is seen here in the Sala delle Capriate of the Archivio di Stato during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2368.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors and artists arrive at the Teatro Massimo for Bintou Wéré's "A Sahel Opera", during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2250.jpg
  • PALERMO, ITALY - 15 JUNE 2018: "Becoming Garden" (2018), a work on site by  Coloco + Gilles Clément, is seen here in the Zen2 district during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2145.jpg
  • PALERMO, ITALY - 15 JUNE 2018: The environmental installation "The Dworned World" (2018) by artist Michael Wang is seen here in the Botanical Garden at Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2104.jpg
  • PALERMO, ITALY - 15 JUNE 2018: The environmental installation "The Dworned World" (2018) by artist Michael Wang is seen here in the Botanical Garden at Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2100.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist Alberto Baraya's mixed media installation "New Herbs from Palermo and Surroundings. A Sicilian Expedition" (2018) is seen here in a greenhouse of the Botanical Garden during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2075.jpg
  • PALERMO, ITALY - 15 JUNE 2018: A resident of Palermo is seen here in Piazza Kalsa during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2002.jpg
  • PALERMO, ITALY - 15 JUNE 2018: "The Soul of Salt" (2016), an installation by artist Patricia Kaersenhout, is seen here at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1970.jpg
  • PALERMO, ITALY - 15 JUNE 2018: (R-L) Documentary director Laura Poitras and reporter Henrik Moltke pose for a portrait in front of their video installation "Signal Flow" (2018) at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1956.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Documentary director Laura Poitras poses for a portrait in front of her video installation "Signal Flow" (2018) at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1922.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Documentary director Laura Poitras poses for a portrait in front of her video installation "Signal Flow" (2018) at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1921.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors watch "Signal Flow" (2018) by documentary director Laura Poitras at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1804.jpg
  • PALERMO, ITALY - 15 JUNE 2018: A visitor watches the video  simulation "Farm (Council Bluffs, Iowa)" (2015) by artist John Gerrard at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1708.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1684.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1669.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1595.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1560.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard is seen here on the terrace of Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1537.jpg
  • PALERMO, ITALY - 15 JUNE 2018: The entrance to the video simulation "Untitled (near Parndorf, Austria)" (2018 by artist John Gerrard is seen here at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1494.jpg
  • PALERMO, ITALY - 15 JUNE 2018: A visitor watches "Purple Muslin" (2018) by artist Erkan Özgen at  Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1419.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Staff of Manifesta 12, the European nomadic art biennal, is seen here at the entrance of Palazzo Forcella De Seta in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1397.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors and press are seen waiting outside the Church of Santa Caterina during the press conference for the inauguration of Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1382.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors and press attend the press conference for the inauguration of Manifesta 12, the European nomadic art biennal, in the Church of Santa Caterina in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1378.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors and press attend the press conference for the inauguration of Manifesta 12, the European nomadic art biennal, in the Church of Santa Caterina in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1367.jpg
  • PALERMO, ITALY - 15 JUNE 2018: A view of the Church of San Cataldo, an example o 12th century Arab-Norman architecture, is seen here in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1334.jpg
  • PALERMO, ITALY - 15 JUNE 2018: An usher opens the window in the City Council in the Town Hall of Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1317.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Mayor of Palermo Leoluca Orlando poses for a portrait in his office at Palazzo delle Aquile in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1278.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Mayor of Palermo Leoluca Orlando poses for a portrait in his office at Palazzo delle Aquile in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1276.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Mayor of Palermo Leoluca Orlando poses for a portrait in his office at Palazzo delle Aquile in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1253.jpg
  • PALERMO, ITALY - 14 JUNE 2018: Visitors are seen here during the M12 Collateral and 5x5x5 Opening at the Spasimo church during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 14th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180614_NYT-Manifesta_M3_1110.jpg
  • PALERMO, ITALY - 14 JUNE 2018: A view of Piazza Magione, in the historical district of Kalsa, is seen here during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 14th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180614_NYT-Manifesta_M3_0901.jpg
  • PALERMO, ITALY - 14 JUNE 2018: Visitors attend the Palermo Atlast book launch at the Teatro Garibaldi during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 14th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180614_NYT-Manifesta_M3_0821.jpg
  • PALERMO, ITALY - 14 JUNE 2018: Visitors attend the Palermo Atlast book launch at the Teatro Garibaldi during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 14th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180614_NYT-Manifesta_M3_0748.jpg
  • ROME, ITALY - 27 MARCH 2018:  (L-R) Florian Nehm (Head of Coroporate Sustainability  & EU Affairs Axel Springer SE) and Fabiano Lazzarini (Country Manager Qwant Italia) pose for a group picture at the end of the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_220...jpg
  • ROME, ITALY - 27 MARCH 2018:  (L-R) Florian Nehm (Head of Coroporate Sustainability  & EU Affairs Axel Springer SE), unknown, Eric Leandri (CEO & Founder of Qwant) and unknown pose for a group picture at the end of the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_219...jpg
  • ROME, ITALY - 27 MARCH 2018:  (L-R) Fabiano Lazzarini (Country Manager Qwant Italia), Eric Leandri (CEO & Founder of Qwant) and host Costanza Calabrese pose for a group picture at the end of the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_218...jpg
  • ROME, ITALY - 27 MARCH 2018:  Guests attend the aperitivo at the end of the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_215...jpg
  • ROME, ITALY - 27 MARCH 2018:  (R-L) Eric Leandri (CEO & Founder of Qwant) and Florian Nehm (Head of Corporate Sustainability & EU Affairs at Exel Springer SE) attend the aperitivo at the end of the event "GDPR and Protection of European Citizens' Privacy: Social and Economical Implications" organised by QWANT, the first European web search engine, at Palazzo Farnese in Rome, Italy, on March 27th 2018.<br />
<br />
Qwant is a French company that was founded by security specialist Éric Leandri, investor Jean Manuel Rozan and search-engine expert Patrick Constant in 2011. It launched its eponymous web search engine in July 2013. It claims not to employ user tracking, and it doesn't personalize search results in order to avoid trapping users in a filter bubble.<br />
<br />
Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
    CIPG_20180327_PLAYVIDEO_Qwant_M3_215...jpg
Next