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  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_022.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_030.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_029.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_028.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_024.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III (right), columnist of Executive Pursuits for The New York Times, and  comic and m.c. D.F. Sweedler are here in the backstage minutes before Harry Hurt's performance on the stage of the Comic Strip club in Manhattan, NY. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_020.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, waits his turn in the backstage for his performance on the stage of the Comic Strip club in Manhattan, NY. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_018.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, reads his comic script in the backstage before going on stage at the Comic Strip club in Manhattan, NY. He learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_016.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  takes notes in the backstage on Tom E., the comic that precedes him on the stage of the Comic Strip club in Manhattan, NY.  . Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_015.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, waits his turn in the backstage for his performance on the stage of the Comic Strip club in Manhattan, NY. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_014.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  takes notes and learns how to become a stand-comic at the Comic Strip club in Manhattan, NY.  He trained minutes before with the comic and m.c. D.F. Sweedler.  He will then go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_012.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  takes notes in the stage room of the Comic Strip club in Manhattan, NY. He learns how to become a stand-comic and was  trained minutes before by the comic and m.c. D.F. Sweedler. He will then go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_010.jpg
  • 8 October, 2008. New York, NY. Comic and m.c. D.F. Sweedler (left) advises Harry Hurt III, columnist of Executive Pursuits for The New York Times,  minutes before his performance as a stand-comic at the Comic Strip club in Manhattan, NY.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_007.jpg
  • 8 October, 2008. New York, NY. Comic and m.c. D.F. Sweedler (left) advises Harry Hurt III, columnist of Executive Pursuits for The New York Times,  minutes before his performance as a stand-comic at the Comic Strip club in Manhattan, NY.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_005.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III (left), columnist of Executive Pursuits for The New York Times,  rehearses his comic script with comic and m.c. D.F. Sweedler (right) at the Comic Strip club in Manhattan, NY.  He will then go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_002.jpg
  • 8 October, 2008. New York, NY. Entrance of the Comic Strip club in Manhattan, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  learns how to become a stand-comic at the Comic Strip club in Manhattan, NY.  He trains with the comic and m.c. D.F. Sweedler and then he will go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_001.jpg
  • 8 October, 2008. New York, NY. A mixer in the backstage of the Comic Strip club in Manhattan, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  learns how to become a stand-comic at the Comic Strip club in Manhattan, NY.  He trains with the comic and m.c. D.F. Sweedler and then he will go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_032.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, goes back in the backstage after his performance as a stand-comic at the Comic Strip club in Manhatta, NY. In the background (left) is the comic and m.c. D.F. Sweedler, who trained Harry Hurt minutes before on how to become a stand-comic.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_031.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_027.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_026.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_025.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, performs as a stand-comic on the stage of the Comic Strip club in Manhattan, NY, in front of a live audience. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_023.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III (left), columnist of Executive Pursuits for The New York Times,  exits the backstage before going on stage at the Comic Strip club in Manhattan, NY. On the right is comic Tom E., who just preceded Mr Hurt. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_021.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III (lef), columnist of Executive Pursuits for The New York Times, and  comic and m.c. D.F. Sweedler joke in the backstage minutes before Harry Hurt's performance on the stage of the Comic Strip club in Manhattan, NY. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_019.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, reads his comic script and rehearses in the backstage before going on stage at the Comic Strip club in Manhattan, NY. He learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_017.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  wathches Tom E., the comic that precedes him on stage before his performance at the Comic Strip club in Manhattan, NY. Harry Hurt learned how to become a stand-comic training minutes before with the comic and m.c. D.F. Sweedler.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_013.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times,  exits the stage takes notes in the stage room after taking some notes at the Comic Strip club in Manhattan, NY. He learns how to become a stand-comic and was  trained minutes before by the comic and m.c. D.F. Sweedler. He will then go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_011.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, goes towards the backstage of the Comic Strip club in Manhattan, NY, before his performance as a stand-comic. He trained with the comic and m.c. D.F. Sweedler minutes before.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_009.jpg
  • 8 October, 2008. New York, NY. Comic and m.c. D.F. Sweedler (left) advises Harry Hurt III, columnist of Executive Pursuits for The New York Times,  minutes before his performance as a stand-comic at the Comic Strip club in Manhattan, NY.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_008.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III, columnist of Executive Pursuits for The New York Times, takes notes from  m.c. D.F. Sweedler's advice on how to a stand-comic at the Comic Strip club in Harry Hurt III will then go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_006.jpg
  • 8 October, 2008. New York, NY. Comic and m.c. D.F. Sweedler (left) advises Harry Hurt III, columnist of Executive Pursuits for The New York Times,  minutes before his performance as a stand-comic at the Comic Strip club in Manhattan, NY.<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_004.jpg
  • 8 October, 2008. New York, NY. Harry Hurt III (left), columnist of Executive Pursuits for The New York Times,  rehearses his comic script with comic and m.c. D.F. Sweedler (right) at the Comic Strip club in Manhattan, NY.  He will then go on stage in front of a live audience.  <br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Pursuits_003.jpg
  • ROME, ITALY - 2 JULY 2018: Domingo Pellicola (as as Il Duca di Mantova) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Andrii Ganchuk (as Rigoletto) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Jan Antem (center, as Marullo) and Johnny Bombino (right, as the Conte di Ceprano), are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Residents of Corviale, a suburb of Rome, sit at a reserved dinner table as they wait for the start of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Residents of Corviale, a suburb of Rome, sit at a reserved dinner table as they wait for the start of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the backstage of the , "Rigoletto", an opera in three acts by composer Giuseppe Verdi, and of the OperaCamion truck in Corviale, a suburb in Rome, Italy, shortly before the start of the performance on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A waiter prepares a reserved table at a cafe shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. d by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 27 JUNE 2017: (L-R) Director Fabio Cherstich and sets, video and costumes designer Gianluigi Toccafondo watch the final moments of the  "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_618...jpg
  • ROME, ITALY - 27 JUNE 2017: Assistant director Martina Santese checks the Don Giovanni score during the performance of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_615...jpg
  • ROME, ITALY - 27 JUNE 2017: Opera singer Maharram Huseynov (in the role of Don Giovanni) performs on stage for the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_612...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience watches the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_612...jpg
  • ROME, ITALY - 27 JUNE 2017: (L-R) Opera singer Reut Ventorero (in the role of Zerlina) and Federico Cavarzan (in the role of Masetto) are seen here as they go on stage to perform in the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_608...jpg
  • ROME, ITALY - 27 JUNE 2017: Opera singer Reut Ventorero (center-left, in the role of Zerlina) and costume assistant Francesca Ghermandi (center-right) are seen here in the backstage of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_608...jpg
  • ROME, ITALY - 27 JUNE 2017: (L-R) Opera singer Reut Ventorero (in the role of Zerlina) and Federico Cavarzan (in the role of Masetto) are seen here on stage performing in the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_598...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience watches the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, by the pianist Edina Bak in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_596...jpg
  • ROME, ITALY - 27 JUNE 2017: (R-L) Costume assistant Francesca Ghermandi (top), Opera singers and actors Veronica Marini (bottom), Vittoria Faro and Murat Can Guvem of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, get ready at the Aldo Fabrizi library (used as a changing room) before the premiere in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_566...jpg
  • ROME, ITALY - 27 JUNE 2017: A resident of the social housing in San Basilio, a Roman suburb, looks from her window shortly before the premiere of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_559...jpg
  • ROME, ITALY - 27 JUNE 2017: A score of the Wolfang Amadeud Mozart's "Don Giovanni" is seen here shortly before the premiere of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_546...jpg
  • ROME, ITALY - 27 JUNE 2017: A score of the Wolfang Amadeud Mozart's "Don Giovanni" is seen here shortly before the premiere of "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_545...jpg
  • ROME, ITALY - 27 JUNE 2017: The audience wait fo the premiere of the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_543...jpg
  • ROME, ITALY - 27 JUNE 2017: Director Fabio Cherstich poses for a portrait by the truck of the "Don Giovanni OperaCamion", an open-air opera performed on a truck during the orchestra rehearsal in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_526...jpg
  • ROME, ITALY - 27 JUNE 2017: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the  "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_512...jpg
  • ROME, ITALY - 27 JUNE 2017: Director Fabio Cherstich briefs the company of opera singers and actors before their performance of the "Don Giovanni OperaCamion", an open-air opera performed on a truck, at the Aldo Fabrizi library (used as a changing room) in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_493...jpg
  • ROME, ITALY - 27 JUNE 2017: A girl plays on a swing seat by the truck that will host the "Don Giovanni OperaCamion", an open-air opera performed on a truck in San Basilio, a suburb in Rome, Italy, on June 27th 2017.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. <br />
<br />
“Don Giovanni Opera Camion”, after “Don Giovanni” by Wolfgang Amadeus Mozart is a new production by the Teatro dell’Opera di Roma, conceived and directed by Fabio Cherstich. Set, videos and costumes by Gianluigi Toccafondo. The Youth Orchestra of the Teatro dell’Opera di Roma is conducted by Carlo Donadio.
    CIPG_20170627_NYT_OperaTruck__M3_484...jpg
  • ROME, ITALY - 2 JULY 2018: The cast and musicians of the Youth Orchestra of the Teatro dell'Opera di Roma are seen here backstage before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The cast of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, bows to the audience after their performance on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The cast of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, bows to the audience after their performance on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience watches the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Giulia Mazzola (as Gilda) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Giulia Mazzola (as Gilda) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Jan Antem (as Marullo) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: "Rigoletto", an opera in three acts by composer Giuseppe Verdi, is performed here on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Jan Antem (as Marullo) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: "Rigoletto", an opera in three acts by composer Giuseppe Verdi, is performed here on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of Gianluigi Toccafondo's scene of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (R-L) Giulia Mazzola (as Gilda) and Jan Antem (as Marullo) are seen here backstage shortly before going on stage to perform their roles in the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Domingo Pellicola (as as Il Duca di Mantova) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Jan Antem (as Marullo) is seen shortly before going on stage to perform his role in the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the scene by Gianluigi Toccafondo is seen here from the backstage during the performance of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Andrii Ganchuk (as Rigoletto) is seen here on stage during his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience is seen here shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The cast and musicians of the Youth Orchestra of the Teatro dell'Opera di Roma are seen here backstage before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: (L-R) Giulia Mazzola (as Gilda) and Andrii Ganchuk (as Rigoletto) are seen here on stage during their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The cast and musicians of the Youth Orchestra of the Teatro dell'Opera di Roma are seen here backstage before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Musicians of the Youth Orchestra of the Teatro dell'Opera di Roma takes a selfie with Domingo Pellicola (as Il Duca di Mantova) shortly before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The audience is seen here shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018:  Domingo Pellicola (as Il Duca di Mantova) rehearses before his performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018:  Domingo Pellicola (left, as Il Duca di Mantova) and Sara Rocchi (right, as the Contessa di Ceprano)  are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Crutches used for the costumes of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, are seen here backstge before the performance on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Giulia Mazzola (center, as Gilda) and Domingo Pellicola (left, as Il Duca di Mantova) are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Giulia Mazzola (center, as Gilda), Andrii Ganchuk (left, as Rigoletto) and Jaime Canto Navarro (right, as Matteo Borsa) are seen here backstge as they get ready for their performance of the "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018:  The cast of "Rigoletto", an opera in three acts by composer Giuseppe Verdi, gets ready before their performance on the OperaCamion truck in Corviale,  a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A view of the Corviale, one of the housing projects built on the outskirts of Rome in the 1970's, is seen here shortly before the start of the  "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck, in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Spectators bring their own chairs to watch "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Spectators bring their own chairs to watch "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: Spectators bring their own chairs to watch "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: A costumer checks a dress shortly before the start of, "Rigoletto", an opera in three acts by composer Giuseppe Verdi, performed on the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
  • ROME, ITALY - 2 JULY 2018: The Youth Orchestra of the Teatro dell'Opera di Roma, conducted by director Carlo Donadio, rehearses before their performance of the   "Rigoletto", an opera in three acts by composer Giuseppe Verdi,  by the OperaCamion truck in Corviale, a suburb in Rome, Italy, on July 2nd 2018.<br />
<br />
Director Fabio Cherstich’s idae of an “opera truck” was conceived as a way of bringing the musical theatre to a new, mixed, non elitist public, and have it perceived as a moment of cultural sharing, intelligent entertainment and no longer as an inaccessible and costly event. The truck becomes a stage that goes from square to square with its orchestra and its company of singers in Rome. cted by Carlo Donadio.
    CIPG_20180702_REPUBLIK-OperaCamion_M...jpg
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