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  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2441.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2523.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2515.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2502.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2478.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2466.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2454.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2429.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2512.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2487.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2473.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2455.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2425.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2418.jpg
  • NAPLES, ITALY - 26 MAY 2018: Giada Gramanzini, a 29-year-old unemployed university graduate who moved back in with her retired parents, poses for a portrait in her childhood bedroom in Naples, Italy, on May 26th 2018.<br />
<br />
Credit: Gianni Cipriano for The Wall Street Journal<br />
<br />
Slug: GENDIVIDE<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.<br />
<br />
Giada Gramanzini hasn’t found a job since deciding last year not to renew a three-month contract as a fulltime receptionist that paid her 400 euros a month, or about $2.80 an hour. She sent out about 70 resumes in the past six months in search of a job where she can put her degree in foreign languages to work.<br />
<br />
The Italian economy last year grew at its fastest rate since 2010, but the improvement hasn’t trickled down to millions of people in their 20s and 30s, leaving a yawning generation gap with their baby boomer parents.
    CIPG_20180526_WSJ_GenDivide_M3_2468.jpg
  • TAORMINA (ME) - 8 SETTEMBRE 2018: Elias, un pittore libanese che divide il suo tempo tra l'Olanda e Taormina, al lavoro in piazza IX aprile a Taormina, l'epicentro dell'avanzata della Lega in Sicilia con il 23,52%, l'8 settembre 2018.
    CIPG_20180908_ESPRESSO_Lega-Sud_M3_5...jpg
  • VENICE, ITALY - 25 MAY 2019: A sign saying "Ideally you would go deeper to the back of this building" is seen here next to the main entrance of the French pavilion which hosts the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost which is entered from the back of the building, here at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_3380.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors are seen here walking towards the the facade (and exhibition exit) of the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost at the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_3282.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitor watch a video projection in the exhibition in the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2978.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitor watch a video projection in the exhibition in the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2967.jpg
  • VENICE, ITALY - 25 MAY 2019: A visitor enters the projection room of the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2922.jpg
  • VENICE, ITALY - 25 MAY 2019: A detail of the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2814.jpg
  • VENICE, ITALY - 25 MAY 2019: A detail of the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2789.jpg
  • VENICE, ITALY - 25 MAY 2019: A detail of the exhibition "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2763.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors are seen here waiting in line to watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2688.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors are seen here waiting in line to watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2683.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors are seen here waiting in line to watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2579.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors are seen here waiting in line to watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2520.jpg
  • VENICE, ITALY - 25 MAY 2019: (L-R) Lina LapelytÄ— and RugilÄ— BarzdžiukaitÄ—, authors of the opera-performance "Sun And Sea (Marina)" (2019) together with Vaiva GrainytÄ—, pose for a portrait in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2458.jpg
  • VENICE, ITALY - 25 MAY 2019: (L-R) Lina LapelytÄ— and RugilÄ— BarzdžiukaitÄ—, authors of the opera-performance "Sun And Sea (Marina)" (2019) together with Vaiva GrainytÄ—, pose for a portrait in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2449.jpg
  • VENICE, ITALY - 25 MAY 2019: RugilÄ— BarzdžiukaitÄ—, author of the opera-performance "Sun And Sea (Marina)" (2019) together with Lina LapelytÄ— and Vaiva GrainytÄ—, poses for a portrait in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2403.jpg
  • VENICE, ITALY - 25 MAY 2019: RugilÄ— BarzdžiukaitÄ—, author of the opera-performance "Sun And Sea (Marina)" (2019) together with Lina LapelytÄ— and Vaiva GrainytÄ—, poses for a portrait in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2395.jpg
  • VENICE, ITALY - 25 MAY 2019: RugilÄ— BarzdžiukaitÄ—, author of the opera-performance "Sun And Sea (Marina)" (2019) together with Lina LapelytÄ— and Vaiva GrainytÄ—, poses for a portrait in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2370.jpg
  • VENICE, ITALY - 25 MAY 2019: Lina LapelytÄ—, author of the opera-performance "Sun And Sea (Marina)" (2019) together with<br />
Rugilė Barzdžiukaitė and Vaiva Grainytė, poses for a portrait in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2329.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2237.jpg
  • VENICE, ITALY - 25 MAY 2019: A performer is seen here in the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2215.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2201.jpg
  • VENICE, ITALY - 25 MAY 2019: Performers are seen here in the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2154.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2109.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2096.jpg
  • VENICE, ITALY - 25 MAY 2019: Visitors watch the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_2079.jpg
  • VENICE, ITALY - 25 MAY 2019: A performer sings in the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_1996.jpg
  • VENICE, ITALY - 25 MAY 2019: A performer sings in the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_1957.jpg
  • VENICE, ITALY - 25 MAY 2019: A performer is seen here in the opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_1909.jpg
  • VENICE, ITALY - 25 MAY 2019: The opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė takes places in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_1841.jpg
  • VENICE, ITALY - 25 MAY 2019: The opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė takes places in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 25th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190525_NYT-Biennale_M3_1799.jpg
  • VENICE, ITALY - 8 MAY 2019: "Spider/Web Pavilion 7: Oracle Readings, Weaving Arachnomancy, Synanthropic Futures: At-ten(t)sion to invertebrate rights!" (2019) by Tomas Saracen is seen here at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9277.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9201.jpg
  • VENICE, ITALY - 8 MAY 2019: A man rests in front of the Austrian Pavilion, which hosts the exhibition "Discordo Ergo Sum" by Renate Bertlmann, at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9037.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here by "Flight" (2019) by Roman Stanczak in the Polish Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8988.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8882.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here in front of (L-R) "Sing, Unburied, Sing (J.W.)" (2018) by Julie Mehretu and "Standing Female Figure in Black Space" (2018) by George Condo at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8433.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor walks by the exhibition "Weather Report" in the Nordic Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8377.jpg
  • VENICE, ITALY - 8 MAY 2019: A performance, part of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019. during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8214.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the Arsenale during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8010.jpg
  • VENICE, ITALY - 8 MAY 2019: "Barca Nostra" by Christoph Büchel is seen here during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7406.jpg
  • VENICE, ITALY - 8 MAY 2019: "Biologizing the Machine (tentacular trouble)" (2019) by Anicka Yi is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7356.jpg
  • VENICE, ITALY - 8 MAY 2019: "A Straight Line Through The Carcass of History 1649" (2016-2019) by Ibrahim Muhama is seen here in the Ghana Pavilion at the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7222.jpg
  • VENICE, ITALY - 9 MAY 2019: "Quattro Stagioni" (2014-2019) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and
    CIPG_20190509_NYT_Biennale_M3_7099.jpg
  • VENICE, ITALY - 9 MAY 2019: A door, which gives access to "The Return of the Invisible Woman (also known as ‘Visites fantastiques<br />
de Vito Acconci au pays<br />
du fouet’)" (2014) by Chiara Fumai, is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes
    CIPG_20190509_NYT_Biennale_M3_7052.jpg
  • VENICE, ITALY - 9 MAY 2019: "Il Pozzo di San Patrizio" (2001) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live a
    CIPG_20190509_NYT_Biennale_M3_6995.jpg
  • VENICE, ITALY - 9 MAY 2019: "Casa Circondariale" (1988) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and thi
    CIPG_20190509_NYT_Biennale_M3_6954.jpg
  • VENICE, ITALY - 9 MAY 2019: A visitor looks at "Avvinghiatissimi" (1992) by Liliana Moro in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and
    CIPG_20190509_NYT_Biennale_M3_6860.jpg
  • VENICE, ITALY - 9 MAY 2019: (Artwork unknown) Visitors are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interes
    CIPG_20190509_NYT_Biennale_M3_6846.jpg
  • VENICE, ITALY - 9 MAY 2019: The series "Of Bodies, Amour and Cages" (2010-2012) by  Shakuntala Kulkarni (1950) is seen here in the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6730.jpg
  • VENICE, ITALY - 9 MAY 2019: "Naavu (We Together" (2012) by artist GR Iranna (1970) is seen here in the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
This installation evokes the idea of walking as a performative action,<br />
practical but also meditative and spiritual. The installation of padukas, a cheap and traditional wooden<br />
footwear, recalls Gandhi, who used to walk twenty miles each day.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how t
    CIPG_20190509_NYT_Biennale_M3_6714.jpg
  • VENICE, ITALY - 9 MAY 2019: "Covering Letter" (2012,<br />
Fogscreen Projection) by artist Jitish Kallat (1974) is seen here at the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
Jitish Kallat’s video installation invites visitors to step into<br />
a forgotten moment in history, a letter sent from Gandhi to Hitler, projected onto fog. The letter sent<br />
before the start of the Second World War is addressed ‘Dear Friend’ and in revisiting this historical<br />
document, Kallat reflects on the possibilities of peace and tolerance in a world plagued by violence and<br />
like Dodiya, the traces Gandhi has left behind. This work is on display in Europe for the first time.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.
    CIPG_20190509_NYT_Biennale_M3_6686.jpg
  • VENICE, ITALY - 9 MAY 2019: "Naavu (We Together" (2012) by artist GR Iranna (1970) is seen here in the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
This installation evokes the idea of walking as a performative action,<br />
practical but also meditative and spiritual. The installation of padukas, a cheap and traditional wooden<br />
footwear, recalls Gandhi, who used to walk twenty miles each day.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how t
    CIPG_20190509_NYT_Biennale_M3_6662.jpg
  • VENICE, ITALY - 9 MAY 2019: "Broken Branches" (2002, Nine wooden cabinets containing hand-coloured framed photographs,<br />
used artificial limbs, tools, found objects, billboard paintings) by artist Atul Dodiya (1959) is seen here at the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6570.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here by "Barca Nostra" (2019) by Christoph Büchel during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6485.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor walks by "Big Wheel" (2018) by Arthur Jafa in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6414.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors walk by "Veins Aligned" (2018) by Otobong Nkanga in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6255.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor photographs "Smiling Disease" (2008) by Cameron Jamie in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6234.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors watch "This is the Future" (2019) by Hito Steyerl in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6212.jpg
  • VENICE, ITALY - 8 MAY 2019: "THERE IS NO SUCH THING AS OUTSIDE" (2017-2019) by Kaari Upson is seen here at the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6157.jpg
  • VENICE, ITALY - 8 MAY 2019: "Chair for the Invigilator (brown)" (2019) by Augustas Serapinas is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6102.jpg
  • VENICE, ITALY - 8 MAY 2019: "Trojan" (2016-2017) by Yin Xiuzhen is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6083.jpg
  • VENICE, ITALY - 8 MAY 2019: A detail of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5671.jpg
  • VENICE, ITALY - 8 MAY 2019: A detail of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5666.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here between (L-R) "Sing, Unburied, Sing (J.W.)" (2018) by Julie Mehretu and  "Another Wong" (2013) by Henry Taylor at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5458.jpg
  • VENICE, ITALY - 8 MAY 2019: "Elan Supreme" (2016) by Henry Taylor is seen here at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5456.jpg
  • VENICE, ITALY - 8 MAY 2019: "Mumbaphilia (J.E.)" (2018) by Julie Mehretu is seen here at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5455.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the opening of the Belgian Pavilion during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5417.jpg
  • VENICE, ITALY - 8 MAY 2019: A frame of the video installation "Doppelgänger" (2019, Two-channel video installation) by artist Stan Douglas is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5360.jpg
  • VENICE, ITALY - 8 MAY 2019: A frame of the video installation "Doppelgänger" (2019, Two-channel video installation) by artist Stan Douglas is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5356.jpg
  • VENICE, ITALY - 8 MAY 2019: "The Decorated Shed" (2019) by Alex Da Corte is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5325.jpg
  • VENICE, ITALY - 8 MAY 2019: "Origin of the World" (2018) by Alexandra Bircken is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5241.jpg
  • GARDONE RIVIERA, ITALY - 20 APRIL 2018: Rama Redzepi, Bar Manager of the Grand Hotel Fasano, prepares a Cover Club cocktail (gin, lemon, sugar and rasberry) at La Terrazza (the terrace) of the hotel  in Gardone Riviera, Italy, on April 20th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180420_GOURM-TRAV_LakeGarda_M...jpg
  • GARDONE RIVIERA, ITALY - 20 APRIL 2018: A waiter serves a "cacio e pepe" pasta cooked in a pig's bladder at Lido 84 restaurant in Gardone Riviera, Italy, on April 20th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180420_GOURM-TRAV_LakeGarda_M...jpg
  • GARDONE RIVIERA, ITALY - 20 APRIL 2018: A bronze statue of Aphrodite is seen here by the stream of Crazy Water which then flows downstream into the valley, at the Vittoriale degli Italiani, a hillside estate overlooking the Garda lake and  where the Italian writer Gabriele d'Annunzio lived after his defenestration in 1922 until his death in 1938, in Gardone Riviera, Italy, on April 20th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180420_GOURM-TRAV_LakeGarda_M...jpg
  • GARDONE RIVIERA, ITALY - 19 APRIL 2018: A trout filet cooked in its own broth and caviar is seen here at "Il Fagiano" restaurant at the Grand Hotel Fasano in Gardone Riviera, Italy, on April 19th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180419_GOURM-TRAV_LakeGarda_M...jpg
  • GARDONE RIVIERA, ITALY - 19 APRIL 2018: An additional private two-seated private area of the Lido 84 restaurant  is seen here here in Gardone Riviera, Italy, on April 19th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180419_GOURM-TRAV_LakeGarda_M...jpg
  • GARGNANO, ITALY - 19 APRIL 2018: The Giardini di Agrumi (Garden of Citrus Trees) is seen here  in Gargnano, Italy, on April 19th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180419_GOURM-TRAV_LakeGarda_M...jpg
  • TOSCOLANO MADERNO, ITALY - 19 APRIL 2018: A child rides his bike the historical centre of Toscolano Maderno, Italy, on April 19th 2018.<br />
<br />
Lake Garda is the largest lake in Italy. It is a popular holiday location located in northern Italy, about halfway between Brescia and Verona, and between Venice and Milan on the edge of the Dolomites. The lake and its shoreline are divided between the provinces of Verona (to the south-east), Brescia (south-west), and Trentino (north).
    CIPG_20180419_GOURM-TRAV_LakeGarda_M...jpg
  • ROME, ITALY - 27 AUGUST 2016: Maria Santori stands behind the counter of "Il Tempio della Grattachecca" in Rome, Italy, on August 27th 2016.<br />
<br />
The “grattachecca” is a serving of crushed ice topped with a medley of fruit syrups. Today’s grattacheccari can be divided into two distinct categories: the purists vs. the hygienicals. The former insist that the ice must be grated by hand from a large block of fresh ice using a metal device that resembles a carpenter’s hand plane. Those in the latter category use a mechanical ice crusher.
    CIPG_20160827_NYT_Grattachecche_5M3_...jpg
  • ROME, ITALY - 27 AUGUST 2016: Jars with syrups used for grattacheccas are seen here behind the counter of "Il Tempio della Grattachecca" in Rome, Italy, on August 27th 2016.<br />
<br />
The “grattachecca” is a serving of crushed ice topped with a medley of fruit syrups. Today’s grattacheccari can be divided into two distinct categories: the purists vs. the hygienicals. The former insist that the ice must be grated by hand from a large block of fresh ice using a metal device that resembles a carpenter’s hand plane. Those in the latter category use a mechanical ice crusher.
    CIPG_20160827_NYT_Grattachecche_5M3_...jpg
  • ROME, ITALY - 27 AUGUST 2016: A black cherry and orange grattachecca is served here at "Il Tempio della Grattachecca" in Rome, Italy, on August 27th 2016.<br />
<br />
The “grattachecca” is a serving of crushed ice topped with a medley of fruit syrups. Today’s grattacheccari can be divided into two distinct categories: the purists vs. the hygienicals. The former insist that the ice must be grated by hand from a large block of fresh ice using a metal device that resembles a carpenter’s hand plane. Those in the latter category use a mechanical ice crusher.
    CIPG_20160827_NYT_Grattachecche_5M3_...jpg
  • ROME, ITALY - 27 AUGUST 2016: Maria Santori pours crushed ice into a glass as she prepares a grattachecca at "Il Tempio della Grattachecca" in Rome, Italy, on August 27th 2016.<br />
<br />
The “grattachecca” is a serving of crushed ice topped with a medley of fruit syrups. Today’s grattacheccari can be divided into two distinct categories: the purists vs. the hygienicals. The former insist that the ice must be grated by hand from a large block of fresh ice using a metal device that resembles a carpenter’s hand plane. Those in the latter category use a mechanical ice crusher.
    CIPG_20160827_NYT_Grattachecche_5M3_...jpg
  • ROME, ITALY - 27 AUGUST 2016: Maria Di Pascale serves a mint grattachecca at "Sora Mirella", a kiosk that has been in the Simoni family for 101 years and six generations, in Rome, Italy, on August 27th 2016. For their grattacheccas, "Sora Mirella" grates the ice by hand from a large block of ice.<br />
<br />
The “grattachecca” is a serving of crushed ice topped with a medley of fruit syrups. Today’s grattacheccari can be divided into two distinct categories: the purists vs. the hygienicals. The former insist that the ice must be grated by hand from a large block of fresh ice using a metal device that resembles a carpenter’s hand plane. Those in the latter category use a mechanical ice crusher.
    CIPG_20160827_NYT_Grattachecche_5M3_...jpg
  • ROME, ITALY - 27 AUGUST 2016: An orange and black cherry grattachecca is served at "Sora Mirella", a kiosk that has been in the Simoni family for 101 years and six generations, in Rome, Italy, on August 27th 2016. For their grattacheccas, "Sora Mirella" grates the ice by hand from a large block of ice.<br />
<br />
The “grattachecca” is a serving of crushed ice topped with a medley of fruit syrups. Today’s grattacheccari can be divided into two distinct categories: the purists vs. the hygienicals. The former insist that the ice must be grated by hand from a large block of fresh ice using a metal device that resembles a carpenter’s hand plane. Those in the latter category use a mechanical ice crusher.
    CIPG_20160827_NYT_Grattachecche_5M3_...jpg
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