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  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni CiprianoTunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on internation
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni CiprianoTunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on internation
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni CiprianoTunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on internation
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni CiprianoTunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on internation
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni CiprianoTunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on internation
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni CiprianoTunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on internation
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • 2 October, 2008. New York, NY. The Wild Edibles fish stand at the Grand Central Market displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_015.jpg
  • 2 October, 2008. New York, NY. A Country of Origin Label (COOL) for swordfish is here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_003.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_019.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_018.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_016.jpg
  • 2 October, 2008. New York, NY. Customers are here at The Wild Edibles fish stand at the Grand Central Market, which displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_007.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_005.jpg
  • 2 October, 2008. New York, NY. Steve Schafel, director of retail operations, is here at The Wild Edibles fish stand at the Grand Central Market, which displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_017.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_014.jpg
  • 2 October, 2008. New York, NY. The Wild Edibles fish stand at the Grand Central Market displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_013.jpg
  • 2 October, 2008. New York, NY. Customers are here at The Wild Edibles fish stand at the Grand Central Market, which displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_012.jpg
  • 2 October, 2008. New York, NY. Customers are here at The Wild Edibles fish stand at the Grand Central Market, which displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_011.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_010.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_009.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_008.jpg
  • 2 October, 2008. New York, NY. A customer is here at The Wild Edibles fish stand at the Grand Central Market, which displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_006.jpg
  • 2 October, 2008. New York, NY.  Steve Schafel, director of retail operations, serves a customer at The Wild Edibles. The Wild Edibles fish stand at the Grand Central Market displays its fresh products with Country of Origin Labels (COOL). The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_004.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_002.jpg
  • 2 October, 2008. New York, NY. Country of Origin Labels (COOL) are here on display at The Wild Edibles fish stand at the Grand Central Market. The signs and symbols on the labels also indicate the sustainability of the seafood. Wild Edibles came up with the idea 2 years ago and implemented it last year, though the COOL is not mandatory for them, since the total amount of their invoicing does not require it. "We do it because this way people are more aware of where the food they purchase comes from", says Steve Schafel, director of retail operations. "We do it as a service for our customers".<br />
<br />
©2008 Gianni Cipriano for The New York Times<br />
cell. +1 646 465 2168 (USA)<br />
cell. +1 328 567 7923 (Italy)<br />
gianni@giannicipriano.com<br />
www.giannicipriano.com
    Fish_001.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1787.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait, in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8402.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait, in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8394.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait at the Mini Bar in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8353.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait at the Mini Bar in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8336.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait at the Mini Bar in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8314.jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and studentsonly Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni Cipriano
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1772.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1740.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1722.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1722-2.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013...The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy's center-left Democratic Party, to work with others to govern the country. Mr. Grillo's Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament...Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1751.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013...The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy's center-left Democratic Party, to work with others to govern the country. Mr. Grillo's Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament...Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1722.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait, in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8407.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait, in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8400.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait, in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8387.jpg
  • TARANTO, ITALY - 22 FEBRUARY 2018: Luca Greco, an unemployed 30-years old living with his parents in Tamburi, the working-class district adjacent the ILVA steel mill, poses for a portrait at the Mini Bar in Taranto, Italy, on February 22nd 2018.<br />
<br />
Luca Greco has worked occasionally in call centers for a minimum salary, but hasn't had a job since 2013. His 65 years-old father is unemployed  since 2003 and his mother works as a care-giver. He lives with his parents and 13 years-old brother. "I  absolutely don't see a future in Taranto or in Italy. If I leave Tamburi, I will leave the country. I see a dark, tragic future". When asked who he will vote in the upcoming Italian General Elections, Luca said: "You could still make a distinction between the political parties in the 1960's. They're all the same. The Five Stars Movement is the new thing. One could vote them to give them a chance. But I won't".<br />
<br />
Taranto, a  formerly lovely town on the Ionian Sea has for the last several decades been dominated by the ILVA steel mill, the largest steel plant in Europe. It was built by the government in the 1960s as a means of delivering jobs to the economically depressed south, but has been implicated for a cancer as dioxin and mercury have seeped into local groundwater, tainting the food supply, while poisoning the bay and its once-lucrative mussels.
    CIPG_20180222_NYT_Puglia_M3_8330.jpg
  • Tunis, Tunisia - 19 December, 2011: Lina Ben Mhenni, 28, cyber activist author of the popular blog "A Tunisian Girl" and teaching assistant of linguistics at the University of Tunis, is photographed in Tunis, Tunisia, on December 19, 2011. Her influential blog, which was censored under Zine El Abidine Ben Ali’s rule, was one of the most revealing and scathing criticisms of Tunisian society, focusing particularly on issues like women’s rights and press freedom. When unrest began in Tunisia in January 2011, Ben Mhenni began traveling across the country to take photos and video footage of both the protests and people she says were killed in the ensuing government crackdowns. She visited local hospitals and took pictures of those injured or killed by the police. She risked her safety as one of the only Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and studentsonly Tunisians to criticize the repressive government openly on international broadcasts before the “Jasmine Revolution" began. Described as one of the bravest bloggers in the world, much of Ben Mhenni’s writing focuses on freedom of expression and the rights of women and students.<br />
<br />
Ph. Gianni Cipriano
    CIPG_20111219_TUNISIA_Lina-Ben-Mhenn...jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1787-2.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1772-2.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1751.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1751-2.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013.<br />
<br />
The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy’s center-left Democratic Party, to work with others to govern the country. Mr. Grillo’s Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament.<br />
<br />
Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1740-2.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013...The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy's center-left Democratic Party, to work with others to govern the country. Mr. Grillo's Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament...Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1787.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013...The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy's center-left Democratic Party, to work with others to govern the country. Mr. Grillo's Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament...Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1772.jpg
  • MARINA DI BIBBONA, ITALY - 3 MARCH 2013: Beppe Grillo, founder and leader of the Five Stars Movement, is interviewed in him home in Marina di Bibbona, Italy, on March 2013...The comedian, Beppe Grillo, the leader of the Five Star Movement, rejected an appeal by Pier Luigi Bersani, the leader of Italy's center-left Democratic Party, to work with others to govern the country. Mr. Grillo's Five Star Movement won 25 percent of the vote, becoming the third-largest bloc in Parliament...Gianni Cipriano for The New York Times
    CIPG_20130303_NYT_Grillo__MG_1740.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Vincenzo Desario (41), a production line conductor who's been working the Divella pasta factory for the past 17 years, poses for a portrait as  spaghettis are transferred on a conveyer belt before being stacked in boxes at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6104.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Boxes of Divella products are stored or transferred to trucks for shipping in the warehouse of the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6484.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Boxes of Divella products are stored or transferred to trucks for shipping in the warehouse of the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6464.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Boxes of Divella products are stored or transferred to trucks for shipping in the warehouse of the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6452.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Pasta is automatically poured into a conveyer belt after being shaped by a machine at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6380.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Pasta is automatically poured into a conveyer belt after being shaped by a machine at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6339.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Packs of pasta are automatically transferred from the conveyer belt to boxes at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6210.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Spaghettis are seen here going through a stripping machine during the pasta production process at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6182.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Spaghettis are seen here going through a stripping machine during the pasta production process at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6149.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Vincenzo Desario (41), a production line conductor who's been working the Divella pasta factory for the past 17 years, checks packaged spaghettis on a conveyer belt before being stacked in boxes at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6073.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Packaged spaghettis are seen here on a conveyer belt before being stacked in boxes at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6062.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Alessandro Ciasca (38), who's been working at the Divella pasta factory for the past 14 years, checks the machine that pours the Penne Candela (a type of pasta) automatically onto a conveyer belt for its packaging at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6021.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Alessandro Ciasca (38), who's been working at the Divella pasta factory for the past 14 years, checks the machine that pours the Penne Candela (a type of pasta) automatically onto a conveyer belt for its packaging at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6012.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Penne Candela (a type of pasta) are automatically poured into a conveyer belt for its packaging at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_6008.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Quality control manager Ferruccio Inverardi walks by the spreader machines during the pasta production process at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_5877.jpg
  • RUTIGLIANO, ITALY - 21 FEBRUARY 2018: Quality control manager Ferruccio Inverardi walks by the spreader machines during the pasta production process at the Divella pasta factory in Rutigliano, Italy, on February 21st 2018.<br />
<br />
Opened in 1895, the plant just outside the regional capital of Bari is run by the grandson of the founder, Francesco Divella. It produces a vast range of pasta that is exported in more than 30 countries. Divella has exports grow substantially and is a prime example of the success of the region in recent years. Yet this has led to very few jobs, given that the plant is highly automated, with more on the way: they just bought a self-driving forklift to handle warehouse work and have already deployed robotic arms that place product into boxes. Divella is an example of how Italy's recent success is not lifting enough people to make a difference in sentiment.
    CIPG_20180221_NYT_Puglia_M3_5837.jpg
  • VENICE, ITALY - 8 MAY 2019: "Spider/Web Pavilion 7: Oracle Readings, Weaving Arachnomancy, Synanthropic Futures: At-ten(t)sion to invertebrate rights!" (2019) by Tomas Saracen is seen here at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9277.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8882.jpg
  • VENICE, ITALY - 8 MAY 2019: A performance, part of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019. during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8214.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the Arsenale during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8010.jpg
  • VENICE, ITALY - 8 MAY 2019: "Barca Nostra" by Christoph Büchel is seen here during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7406.jpg
  • VENICE, ITALY - 8 MAY 2019: "Biologizing the Machine (tentacular trouble)" (2019) by Anicka Yi is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7356.jpg
  • VENICE, ITALY - 9 MAY 2019: "Quattro Stagioni" (2014-2019) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and
    CIPG_20190509_NYT_Biennale_M3_7099.jpg
  • VENICE, ITALY - 9 MAY 2019: A door, which gives access to "The Return of the Invisible Woman (also known as ‘Visites fantastiques<br />
de Vito Acconci au pays<br />
du fouet’)" (2014) by Chiara Fumai, is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes
    CIPG_20190509_NYT_Biennale_M3_7052.jpg
  • VENICE, ITALY - 9 MAY 2019: The environment "Tutto il resto spegnere II (Homage a E. F.)"  (2019) by Enrico David, comprising "The Incessant" (2017), "Racket II" (2017), "Self Dug Trench" (2018),<br />
"Fortress Shadow" (2017),<br />
"Untitled (Orologio)" (2007) are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call atte
    CIPG_20190509_NYT_Biennale_M3_7039.jpg
  • VENICE, ITALY - 9 MAY 2019: "Il Pozzo di San Patrizio" (2001) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live a
    CIPG_20190509_NYT_Biennale_M3_6995.jpg
  • VENICE, ITALY - 9 MAY 2019: "Casa Circondariale" (1988) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and thi
    CIPG_20190509_NYT_Biennale_M3_6954.jpg
  • VENICE, ITALY - 9 MAY 2019: A visitor looks at "Avvinghiatissimi" (1992) by Liliana Moro in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and
    CIPG_20190509_NYT_Biennale_M3_6860.jpg
  • VENICE, ITALY - 9 MAY 2019: (Artwork unknown) Visitors are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interes
    CIPG_20190509_NYT_Biennale_M3_6846.jpg
  • VENICE, ITALY - 9 MAY 2019: The series "Of Bodies, Amour and Cages" (2010-2012) by  Shakuntala Kulkarni (1950) is seen here in the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6730.jpg
  • VENICE, ITALY - 9 MAY 2019: "Naavu (We Together" (2012) by artist GR Iranna (1970) is seen here in the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
This installation evokes the idea of walking as a performative action,<br />
practical but also meditative and spiritual. The installation of padukas, a cheap and traditional wooden<br />
footwear, recalls Gandhi, who used to walk twenty miles each day.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how t
    CIPG_20190509_NYT_Biennale_M3_6714.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here by "Barca Nostra" (2019) by Christoph Büchel during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6485.jpg
  • VENICE, ITALY - 10 MAY 2019: A visitor poses for a picture here at the Arsenale during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6455.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors watch "Rubber Pencil Devil" (2019) by Alex Da Corte in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6324.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors walk by "Veins Aligned" (2018) by Otobong Nkanga in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6255.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor photographs "Smiling Disease" (2008) by Cameron Jamie in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6234.jpg
  • VENICE, ITALY - 8 MAY 2019: "Trojan" (2016-2017) by Yin Xiuzhen is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6083.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here between (L-R) "Sing, Unburied, Sing (J.W.)" (2018) by Julie Mehretu and  "Another Wong" (2013) by Henry Taylor at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5458.jpg
  • VENICE, ITALY - 8 MAY 2019: "Elan Supreme" (2016) by Henry Taylor is seen here at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5456.jpg
  • VENICE, ITALY - 8 MAY 2019: "Mumbaphilia (J.E.)" (2018) by Julie Mehretu is seen here at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5455.jpg
  • VENICE, ITALY - 8 MAY 2019: "The Decorated Shed" (2019) by Alex Da Corte is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5325.jpg
  • VENICE, ITALY - 8 MAY 2019: Performer Carmine Caputo di Roccanova holds a sign saying that he is looking for a wife at the exit of the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9312.jpg
  • VENICE, ITALY - 11 MAY 2019: A vistitor is seen here in the installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9297.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9256.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9201.jpg
  • VENICE, ITALY - 8 MAY 2019: An installation by Renate Bertlmann is seen here in the Austrian Pavilion, which hosts the exhibition "Discordo Ergo Sum" by Renate Bertlmann, at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9044.jpg
  • VENICE, ITALY - 8 MAY 2019: A man rests in front of the Austrian Pavilion, which hosts the exhibition "Discordo Ergo Sum" by Renate Bertlmann, at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9037.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here by "Flight" (2019) by Roman Stanczak in the Polish Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9016.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here by "Flight" (2019) by Roman Stanczak in the Polish Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8988.jpg
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