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  • SCIACCA (AG), ITALIA - 22 APRILE 2015: Un'opera  dall'artista Giulio Lorubbio dedicata a San Pietro e agli abitanti e ai pescatori del quartiere Marina di Sciacca, si trova qui nella via San Paolo a Sciacca il 22 aprile 2015. Giulio Lorubbio è un artista autodidatta e istintuale che crea mosaici e collage tridimensionali con elementi riciclati trovati per strada, in spiaggia, in campagna: frammenti di vetro, pezzi di legno, reti, conchiglie, piastrelle rotte.
    CIPG_20150423_TOURING_Sciacca__M3_01...jpg
  • SCIACCA (AG), ITALIA - 22 APRILE 2015: Installazioni con cocci realizzata dall'artista Giulio Lorubbio nel Cortile Carini a Sciacca il 22 aprile 2015. Giulio Lorubbio è un artista autodidatta e istintuale che crea mosaici e collage tridimensionali con elementi riciclati trovati per strada, in spiaggia, in campagna: frammenti di vetro, pezzi di legno, reti, conchiglie, piastrelle rotte.
    CIPG_20150423_TOURING_Sciacca__M3_01...jpg
  • SCIACCA (AG), ITALIA - 22 APRILE 2015:  Opera dell'artista Giulio Lorubbio dal titolo "Basato sull'inciuria "Faccia ri pala e lu so cani" nella sua abitazione di Cortile Carini a Sciacca il 22 aprile 2015. Giulio Lorubbio è un artista autodidatta e istintuale che crea mosaici e collage tridimensionali con elementi riciclati trovati per strada, in spiaggia, in campagna: frammenti di vetro, pezzi di legno, reti, conchiglie, piastrelle rotte.
    CIPG_20150423_TOURING_Sciacca__M3_00...jpg
  • SCIACCA, ITALY - 22 APRIL 2015: SCIACCA (AG), ITALIA - 22 APRILE 2015: Ceramic artist Gaspare Patti (78), makes a ceramic pot in his workshop in Sciacca, Italy, on April 22nd 2015.<br />
<br />
Gaspare Patti, a ceramic maestro since 1954, has his worhsop in front of the Chiesa Madre of Sciacca, a city that has a long-standing tradition of ceramic production.<br />
<br />
Gaspare Patti prides himself on his idiosyncratic style and his shop is packed with strange and original creations.<br />
<br />
###<br />
<br />
Giulio Lorubbio (66 anni), detto Lulù, posa per un ritratto all'ingresso della sua abitazione nel Cortile Carini a Sciacca il 22 aprile 2015. Giulio Lorubbio è un artista autodidatta e istintuale che crea mosaici e collage tridimensionali con elementi riciclati trovati per strada, in spiaggia, in campagna: frammenti di vetro, pezzi di legno, reti, conchiglie, piastrelle rotte.
    CIPG_20150423_TOURING_Sciacca__M3_96...jpg
  • SCIACCA (AG), ITALIA - 22 APRILE 2015: Giulio Lorubbio (66 anni), detto Lulù, posa per un ritratto all'ingresso della sua abitazione nel Cortile Carini a Sciacca il 22 aprile 2015. Giulio Lorubbio è un artista autodidatta e istintuale che crea mosaici e collage tridimensionali con elementi riciclati trovati per strada, in spiaggia, in campagna: frammenti di vetro, pezzi di legno, reti, conchiglie, piastrelle rotte.
    CIPG_20150423_TOURING_Sciacca__M3_00...jpg
  • SCIACCA (AG), ITALIA - 22 APRILE 2015: "Giardino Mediterraneo" (2014), un'opera dell'artista Vincenzo Nucci nel suo studio a Sciacca il 22 aprile 2015. La produzione artistica di Vincenzo Nucci, nato a Sciacca nel 1941, si caratterizza per la presenza pressoché costante della palma, elemento tipico della Sicilia meridionale.
    CIPG_20150422_TOURING_Sciacca__M3_87...jpg
  • VENICE, ITALY - 10 MAY 2019: A visitor walks outside of the Giardini at the end of the day during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8596.jpg
  • VENICE, ITALY - 8 MAY 2019: "Maintainers" (2019) by Nairy Baghramian is seen here at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8435.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here in the exhibition "Weather Report" in the Nordic Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8398.jpg
  • VENICE, ITALY - 8 MAY 2019: A video projection, part of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8307.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here walking outside the Giardini after the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8037.jpg
  • VENICE, ITALY - 9 MAY 2019: A waiter serves Spritz cocktails at the opening of the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘
    CIPG_20190510_NYT_Biennale_M3_7786.jpg
  • VENICE, ITALY - 8 MAY 2019: The opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė takes places in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_7683.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the Arsenale during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7445.jpg
  • VENICE, ITALY - 8 MAY 2019: A detail of "Earth Shedding Its Skin" (2019) by El Anatsui is seen here in the Ghana Pavilion at the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7273.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor looks at "Earth Shedding Its Skin" (2019) by El Anatsui in the Ghana Pavilion at the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7267.jpg
  • VENICE, ITALY - 9 MAY 2019: "Il Pozzo di San Patrizio" (2001) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live a
    CIPG_20190509_NYT_Biennale_M3_6995.jpg
  • VENICE, ITALY - 9 MAY 2019: "Casa Circondariale" (1988) by Liliana Moro is seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and thi
    CIPG_20190509_NYT_Biennale_M3_6954.jpg
  • VENICE, ITALY - 9 MAY 2019: Visitors are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6888.jpg
  • VENICE, ITALY - 9 MAY 2019: (Artwork unknown) Visitors are seen here in the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interes
    CIPG_20190509_NYT_Biennale_M3_6846.jpg
  • VENICE, ITALY - 9 MAY 2019: "Haripura Congress Panels" (1937) by artist Nandalal Bose (1882-1966) are seen here at the group exhibition "Our Time for a Future Caring", curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Our Time for a Future Caring” is a group exhibition curated by Roobina Karode for the Indian Pavilion at the 58th International Art Exhibition La Biennale di Venezia. This exhibition critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and<br />
nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul<br />
Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR<br />
Iranna.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6555.jpg
  • VENICE, ITALY - 8 MAY 2019: "The New Life" (2018-2019) by Anthea Hamilton is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6359.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here between (L-R) "Rug (con tacones)" (2018) and "Container" (2018-2019) by Ulrike Muller in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6278.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors look at "Robert Henry Lawrence Jr." (2018) by Tavares Strachan at the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_6016.jpg
  • VENICE, ITALY - 8 MAY 2019: Film projection of "Swinguerra" by Barbara Wagner and Benjamin de Burca is seen here in the Brazilian Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5725.jpg
  • VENICE, ITALY - 8 MAY 2019: A video projection, part of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5688.jpg
  • VENICE, ITALY - 8 MAY 2019: A detail of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5671.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the Giardini during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5404.jpg
  • VENICE, ITALY - 8 MAY 2019: A frame of the video installation "Doppelgänger" (2019, Two-channel video installation) by artist Stan Douglas is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5388.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors watch "Leonardo's submarine" (2019) by Hito Steyerl in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5304.jpg
  • VENICE, ITALY - 8 MAY 2019: "Can't Help Myself" (2016) by Sun Yuan and Peng Yu is seen here in the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5177.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor walk through "spectra III" (2008-2019) by Ryoji Ikeda in the Central Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190508_NYT_Biennale_M3_5104.jpg
  • PALERMO, ITALY - 16 JUNE 2018: "Festino della Terra (Alaraagbo XIII)" (2018), a mixed media installation by Jelili Atiku is seen here at Palazzo Costantino during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2924.jpg
  • PALERMO, ITALY - 16 JUNE 2018: Majorettes are seen here during Marinella Senatore's performance "Palermo Procession" at Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2777.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors and artists arrive at the Teatro Massimo for Bintou Wéré's "A Sahel Opera", during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2246.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Video installation "Pteridophilia" (2016) by artist Zheng Bo is seen here in the Botanical Garden during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2076.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist Alberto Baraya's mixed media installation "New Herbs from Palermo and Surroundings. A Sicilian Expedition" (2018) is seen here in a greenhouse of the Botanical Garden during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2057.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist Alberto Baraya's mixed media installation "New Herbs from Palermo and Surroundings. A Sicilian Expedition" (2018) is seen here in a greenhouse of the Botanical Garden during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2027.jpg
  • PALERMO, ITALY - 15 JUNE 2018: A resident of Palermo is seen here in Piazza Kalsa during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_2002.jpg
  • PALERMO, ITALY - 15 JUNE 2018: "The Soul of Salt" (2016), an installation by artist Patricia Kaersenhout, is seen here at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1970.jpg
  • PALERMO, ITALY - 15 JUNE 2018: (R-L) Documentary director Laura Poitras and reporter Henrik Moltke pose for a portrait in front of their video installation "Signal Flow" (2018) at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1956.jpg
  • PALERMO, ITALY - 15 JUNE 2018: "Steel Rings" (2013) and "Letterhead" (1950-2013) by artist Rayyane Tabet are seen here at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1727.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1669.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1642.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Artist John Gerrard poses for a portrait at the entrance to his video simulation "Farm (Council Bluffs, Iowa)" (2015) at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1560.jpg
  • PALERMO, ITALY - 15 JUNE 2018: The interior and exterior view from  Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1426.jpg
  • PALERMO, ITALY - 15 JUNE 2018: The entrance to the video simulation "Untitled (near Parndorf, Austria)" (2018 by artist John Gerrard is seen here at Palazzo Forcella De Seta during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1410.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Staff of Manifesta 12, the European nomadic art biennal, is seen here at the entrance of Palazzo Forcella De Seta in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1397.jpg
  • PALERMO, ITALY - 15 JUNE 2018: The press conference for the inauguration of Manifesta 12, the European nomadic art biennal, in the Church of Santa Caterina in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1380.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Visitors and press attend the press conference for the inauguration of Manifesta 12, the European nomadic art biennal, in the Church of Santa Caterina in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1367.jpg
  • PALERMO, ITALY - 15 JUNE 2018: An usher opens the window in the City Council in the Town Hall of Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1317.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Mayor of Palermo Leoluca Orlando poses for a portrait in his office at Palazzo delle Aquile in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1276.jpg
  • PALERMO, ITALY - 15 JUNE 2018: Mayor of Palermo Leoluca Orlando poses for a portrait in his office at Palazzo delle Aquile in Palermo, Italy, on June 15th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180615_NYT-Manifesta_M3_1228.jpg
  • PALERMO, ITALY - 14 JUNE 2018: Visitors are seen here during the M12 Collateral and 5x5x5 Opening at the Spasimo church during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 14th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180614_NYT-Manifesta_M3_1110.jpg
  • PALERMO, ITALY - 14 JUNE 2018: A visitor is seen here inside "Call-A-Spy" (2016), an installation by Peng! Collective through which visitors can telephone directly and anonymously to agents in the secret services, including the FBI, NSA and Department of Homeland Security in the US, the Verfassungsschutz and BND in Germany, and the Direction Générale de la Sécurité Intérieure in France, here at Palazzo Ajutamicristo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 14th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180614_NYT-Manifesta_M3_0976.jpg
  • VENICE, ITALY - 2 MAY 2017: (R-L) Christine Macel (49), curator of the 57th International Art Exhibition - titled VIVA ARTE VIVA - organized by La Biennale di Venezia, discusses with Brazilian artist Ernesto Neto at the Arsenale (one of the exhibition venues of the International Exhibition) in Venice, Italy, on May 2nd 2017.<br />
<br />
The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. VIVA ARTE VIVA will unfold over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time. <br />
<br />
The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. 3 countries will be participating for the first time: Antigua and Barbuda, Kiribati, Nigeria.
    CIPG_20170502_NYT_ChristineMacel__M3...jpg
  • VENICE, ITALY - 1 MAY 2017: A worker is seen here at work at the Arsenale,  an exhibition venue of the 57th International Art Exhibition, one week before the inauguration in Venice, Italy, on May 1st 2017.<br />
<br />
The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. VIVA ARTE VIVA will unfold over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time. <br />
<br />
The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. 3 countries will be participating for the first time: Antigua and Barbuda, Kiribati, Nigeria.
    CIPG_20170501_NYT_ChristineMacel__M3...jpg
  • VENICE, ITALY - 1 MAY 2017: (R-L) Christine Macel (49), curator of the 57th International Art Exhibition - titled VIVA ARTE VIVA - organized by La Biennale di Venezia, discusses with German artist Michael Beutler by his installation in the Giardino delle Vergini (one of the exhibition venues at the Arsenale) in Venice, Italy, on May 1st 2017.<br />
<br />
The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. VIVA ARTE VIVA will unfold over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time. <br />
<br />
The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. 3 countries will be participating for the first time: Antigua and Barbuda, Kiribati, Nigeria.
    CIPG_20170501_NYT_ChristineMacel__M3...jpg
  • VENICE, ITALY - 1 MAY 2017: The basilica of San Pietro di Castello is seen here from the Giardino delle Vergini (Garden of the Virgins), a vast 14,000 square meters green area surrounded by the walls of the Arsenale, where the 57th International Art Exhibition organized by La Biennale di Venezia will take place,  in Venice, Italy, on May 1st 2017.<br />
<br />
The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. VIVA ARTE VIVA will unfold over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time. <br />
<br />
The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. 3 countries will be participating for the first time: Antigua and Barbuda, Kiribati, Nigeria.
    CIPG_20170501_NYT_ChristineMacel__M3...jpg
  • PRAIANO, ITALY - 21 MAY 2016: Paolo Sandulli, one of the eight artists involved in the Praiano NaturArte project, walks by his 13th century “Torre a Mare” tower studio in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0845.jpg
  • PRAIANO, ITALY - 21 MAY 2016: Mayor of Praiano Giovanni di Martino (right) unveils the ceramic panel of artist Paolo Sandulli to inaugurate the eight art itineraries of the Praiano NaturArte project in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0743.jpg
  • PRAIANO, ITALY - 21 MAY 2016: Paolo Sandulli, one of the eight artists involved in the Praiano NaturArte project, poses for a portrait next to one his ceramic panels celebrating the old fishing life, in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0657.jpg
  • PRAIANO, ITALY - 21 MAY 2016: People relax on the beach "La Praia", by the art itinerary of art Paolo Sandulli marked by a red drape, in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0549.jpg
  • PRAIANO, ITALY - 21 MAY 2016: An elderly man returns from a mountain trail, which is also the art itinerary (one of the eight of the Praiano NaturArte project) of stone sculptor Francesco Mangeri,  in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0478.jpg
  • PRAIANO, ITALY - 21 MAY 2016: A ceramic mask by artist Patrizia Marchi, who wants to reproduce the spirit of Praiano in both its human and natural elements is here in Via Croce, one of the eight art itineraries of the NaturArte project in Praiano, Italy, on May 21st 2016.<br />
<br />
Over the previous three decades, Praiano had grown as part of the tourism boom of nearby Positano and the Amalfi Coast in general, but it had never developed its own identity or tried to shape its future. It is now trying to muscle in on the fame of better-known tourist drawn towns like Positano, Ravello and Amalfi, by positioning itself as an open-air museum. On Saturday, the town unveiled eight tourist itineraries, tracking the town’s traditional small religious shrine made of majolica tiles, augmented with the works of eight contemporary artists.<br />
<br />
These shrines were built all over town to protect the Praianesi and their homes. The artists were asked to draw inspiration from the past or the local values and traditions and to revitalize and reinforce the concept of "street art" typical of the traditional shrines. The artists were also asked to create ceramic installations that would enhance and enrich the natural landscape. Their installations were not supposed to alter the nature and the local “people’s architecture”, but rather to enrich them in harmonious and elegant ways.<br />
<br />
The Praiano NaturArte Project consists of eight art itineraries. Seven of them have ceramic works (ceramic is a traditional medium in the area) and are made by some of the best and most well-known artists in the area.
    CIPG_20160521_NYT-Amalfi_M3_0453.jpg
  • SCIACCA (AG), ITALIA - 22 APRILE 2015: Le sculture d Filippo Bentivegna, teste umane scolpite nella roccia, nel Castello Incantato a Sciacca il 22 aprile 2015. Filippo Bentivegna (1888-1967) è stato uno scultore italiano, protagonista della corrente dell'Art Brut. Senza nessuna formazione artistica, realizzò migliaia di sculture materializzando il “Castello incantato” nel suo podere di Sciacca oggi divenuto un museo all'aperto.
    CIPG_20150423_TOURING_Sciacca__M3_92...jpg
  • VENICE, ITALY - 8 MAY 2019: Performer Carmine Caputo di Roccanova holds a sign saying that he is looking for a wife at the exit of the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9312.jpg
  • VENICE, ITALY - 11 MAY 2019: A vistitor is seen here in the installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9297.jpg
  • VENICE, ITALY - 8 MAY 2019: "Spider/Web Pavilion 7: Oracle Readings, Weaving Arachnomancy, Synanthropic Futures: At-ten(t)sion to invertebrate rights!" (2019) by Tomas Saracen is seen here at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9277.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9201.jpg
  • VENICE, ITALY - 8 MAY 2019: An installation by Renate Bertlmann is seen here in the Austrian Pavilion, which hosts the exhibition "Discordo Ergo Sum" by Renate Bertlmann, at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9044.jpg
  • VENICE, ITALY - 8 MAY 2019: A man rests in front of the Austrian Pavilion, which hosts the exhibition "Discordo Ergo Sum" by Renate Bertlmann, at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9037.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here by "Flight" (2019) by Roman Stanczak in the Polish Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_9016.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here by "Flight" (2019) by Roman Stanczak in the Polish Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8988.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8928.jpg
  • VENICE, ITALY - 11 MAY 2019: The installation "Thinking Head, 2017-2019" (2019, Scenery Fog System: pure water, ultra fine mist nozzles, fog pipes and hoses, pump stations, remote control) by artist Lara Favaretto is seen here at the entrance of the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 11th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8882.jpg
  • VENICE, ITALY - 8 MAY 2019:  The performance "Grandmother Mago" by Zadie Xa takes places here at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190511_NYT_Biennale_M3_8700.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here at the exhibition "Mondo Cane" (2019) by Jos De Gruyter and Harald Thys at the Belgian Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8524.jpg
  • VENICE, ITALY - 8 MAY 2019: The exhibition "Mondo Cane" (2019) by Jos De Gruyter and Harald Thys is seen here at the Belgian Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8472.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor is seen here in front of (L-R) "Sing, Unburied, Sing (J.W.)" (2018) by Julie Mehretu and "Standing Female Figure in Black Space" (2018) by George Condo at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8433.jpg
  • VENICE, ITALY - 8 MAY 2019: "Maintainers" (2019) by Nairy Baghramian is seen here at the Central Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8431.jpg
  • VENICE, ITALY - 8 MAY 2019: A visitor walks by the exhibition "Weather Report" in the Nordic Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8377.jpg
  • VENICE, ITALY - 8 MAY 2019: A performance, part of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019. during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8214.jpg
  • VENICE, ITALY - 8 MAY 2019: A performance, part of the installation "Deep See Blue Surrounding You" (2019) by Laure Prouvost is seen here in the French Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019. during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8189.jpg
  • VENICE, ITALY - 8 MAY 2019: An installation of Cathy Wilkes is seen here in the British Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8160.jpg
  • VENICE, ITALY - 8 MAY 2019: An installation of Cathy Wilkes is seen here in the British Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8115.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here by the installation of Cathy Wilkes in the British Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8110.jpg
  • VENICE, ITALY - 8 MAY 2019: Visitors are seen here by the installation of Cathy Wilkes in the British Pavilion at the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8101.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the Giardini during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8046.jpg
  • VENICE, ITALY - 8 MAY 2019: (L-R) Liv Reidun Brakstad and Anneli B. Madsen perform "Memento Mori" at the entrance of the Giardini during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8030.jpg
  • VENICE, ITALY - 10 MAY 2019: Visitors are seen here at the Arsenale during the pre-opening of the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 10th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8010.jpg
  • VENICE, ITALY - 8 MAY 2019: "Barca Nostra" by Christoph Büchel is seen here during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_8002.jpg
  • VENICE, ITALY - 9 MAY 2019: Visitors are seen here at the opening of the exhibition "Neither Nor: The challenge to the Labyrinth", curated by Milovan Farronato, at the Italian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 9th 2019.<br />
<br />
"Neither Nor: The challenge to the Labyrinth" is the title of the exhibition, curated by Milovan Farronato for the Italian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia in which three Italian artists are taking part, presenting completely new works along with ones from the past: Enrico David (Ancona, 1966), Chiara Fumai (Rome, 1978 – Bari, 2017) and Liliana Moro (Milan, 1961).  The subtitle of the project alludes to “La sfida al labirinto” (“The Challenge to the Labyrinth”) a seminal essay written by Italo Calvino in 1962 that has been the inspiration for Neither Nor. In this text the author proposes a cultural work open to all possible languages and that feels itself co-responsible in the construction of a world which, having lost its traditional points of reference, no longer asks to be merely represented. To visualize the intricate forms of contemporary reality, Calvino turns to the vivid metaphor of the labyrinth: an apparent maze of lines and tendencies that is in reality constructed on the basis of strict rules. <br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interestin
    CIPG_20190510_NYT_Biennale_M3_7865.jpg
  • VENICE, ITALY - 8 MAY 2019: The opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė takes places in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_7712.jpg
  • VENICE, ITALY - 8 MAY 2019: The opera-performance "Sun And Sea (Marina)" (2019) by<br />
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė takes places in the Lithuanian Pavilion during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190510_NYT_Biennale_M3_7664.jpg
  • VENICE, ITALY - 8 MAY 2019: "Barca Nostra" by Christoph Büchel is seen here during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7406.jpg
  • VENICE, ITALY - 8 MAY 2019: "Barca Nostra" by Christoph Büchel is seen here during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7399.jpg
  • VENICE, ITALY - 8 MAY 2019: "Biologizing the Machine (tentacular trouble)" (2019) by Anicka Yi is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7356.jpg
  • VENICE, ITALY - 8 MAY 2019: "Biologizing the Machine (tentacular trouble)" (2019) by Anicka Yi is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7347.jpg
  • VENICE, ITALY - 8 MAY 2019: "Biologizing the Machine (tentacular trouble)" (2019) by Anicka Yi is seen here in the Arsenale during the 58th International Art Exhibition of La Biennale di Venezia in Venice, Italy, on May 8th 2019.<br />
<br />
The 58th International Art Exhibition of La Biennale di Venezia, titled "May You Live In Interesting Times”,is curated by Ralph Rugoff.  The Exhibition is is divided into two separate presentations, Proposition A in the Arsenale and Proposition B in the Giardini’s Central Pavilion, comprising 79 artists from all over the world.  “May You Live In Interesting Times highlights artworks whose forms function in part to call attention to what forms conceal and the multifarious purposes that they fulfil. In an indirect manner, then, perhaps these artworks can serve as a kind of guide for how to live and think in ‘interesting times’.
    CIPG_20190509_NYT_Biennale_M3_7342.jpg
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