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  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist), Giorgio Carnini (92, organist and composer) and Bruno Battisti D'Amario (83, guitarist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer), poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique g
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: The master tape of the Morricone Segreto compilation is played here at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: A studio technician loads the master tape of the Morricone Segreto compilation in the player at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: A studio technician loads the master tape of the Morricone Segreto compilation in the player at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist) presses the play button during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist), Giorgio Carnini (92, organist and composer) and Bruno Battisti D'Amario (83, guitarist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist - pressing the play button), Giorgio Carnini (92, organist and composer) and Bruno Battisti D'Amario (83, guitarist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed th
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist) and Giorgio Carnini (92, organist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carnini (92, organist and composer) is seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist), Giorgio Carnini (92, organist and composer) and Bruno Battisti D'Amario (83, guitarist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer), poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses o
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses o
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Marco Morricone (63), Ennio Morricone's soon, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: A studio technician loads the master tape of the Morricone Segreto compilation in the player at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: A studio technician pulls out the master tape of the Morricone Segreto compilation at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s work inside his studio.
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - plays his saxophone at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of M
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - plays his saxophone at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of M
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - plays his saxophone at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of M
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - plays his saxophone at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of M
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - plays his saxophone at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of M
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist), Giorgio Carnini (92, organist and composer) and Bruno Battisti D'Amario (83, guitarist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: (L-R) Gianni Oddi (74, saxophonist), Giorgio Carnini (92, organist and composer) and Bruno Battisti D'Amario (83, guitarist and composer) are seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of Morricone’s
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Gianni Oddi (74) - saxophonist, arranger and composer - poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020. Gianni Oddi was the saxophonist for Morricone since the<br />
second half of the '70s. In recent years he has also played as soloist in Morricone's tournée around the world.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique golden age during which the Maestro expressed himself at the peak of his creativity and talent. Gathere together for this occasion, they revealed the secrets of
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer), poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique g
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique g
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique g
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique g
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses of a unique g
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses o
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses o
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Giorgio Carninii (92), organist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The Argentinean Giorgio Carnini has been Ennio Morricone’s beloved organist for many years. His electric organ can be found in dozens of Maestro’s soundtracks from the late '60s onwards, setting the sound for cult scores such as Eat It (1969), Incontro (1971) and La tarantola dal ventre nero (The Black Belly of Tarantula – 1971).<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the sons of the Mestro. These musician areare the last witnesses o
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer), is seen here at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andrea Morricone, the so
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer), is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar archive. On this occasion, we will also meet Marco and Andr
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, plays "Nuovo Cinema Paradiso" at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered ins
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the h
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, plays "Nuovo Cinema Paradiso" at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered ins
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer) is seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Se
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Edda Dell'Orso (born Edda Sabatini, 85, vocalist) is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
The one with Edda Dell'Orso was certainly the<br />
most iconic and long-lasting artistic collaboration<br />
in Morricone's career, second only to the one with<br />
the beloved Alessandro Alessandroni (whistle, choir and guitar). Her angelic voice first stood out amongst the rows of “I Cantori Moderni di Alessandroni”, then it became a soloist with C'era<br />
una volta il West (1968). From that moment on, Edda appears in almost every single soundtrack of the Maestro, and her voice becomes an instrument amongst the ones of the orchestra, endowed with an extraordinary expressive power.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the h
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, poses for a portrait at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the h
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, plays "Nuovo Cinema Paradiso" at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered ins
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, is seen here during an interview at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, is seen here during the listening sessioin of the Morricone Segreto compilation at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, sta
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Enrico Pieranunzi (70), pianist and composer, is seen here during the listening sessioin of the Morricone Segreto compilation at the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Pieranunzi is the pianist who conveyed  the identity of Ennio Morricone in the strongest and most identifiable way, from the mid-‘70s onwards:<br />
he worked on some of Maestro’s masterpieces such as Once Upon a Time in America (1984) and Nuovo Cinema Paradiso (1988), but his touch is particularly recognizable in less-known and experimental pieces, such as Nevrosi nelle strade (from Autostop Rosso Sangue - 1978) or Incatenato (from La Gabbia - 1985), where his jazzy ability to improvise emerges the most.<br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, sta
    CIPG_20201030_SUGAR_MorriconeSegreto..jpeg
  • ROME, ITALY - 29 OCTOBER 2020: Bruno Battisti D'Amario (83, guitarist and composer) is seen here during the listening session of the "Morricone Segreto" in the recording studio of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Ennio Morricone himself in 1970, here in Rome on October 29th 2020.<br />
<br />
Bruno Battisti D'Amario plays the Fender Stratocaster in For A Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), but also the classical guitar from dozens of other movies. D'Amario has also been part of the activities of the “Gruppo di<br />
Improvvisazione Nuova Consonanza” in the early '70s, when Morricone had managed to involve his fellows, acclaimed academic composers, in the recording. <br />
<br />
Ennio Morricone has been, without a doubt, themost important Italian artist of the last 60 years and possibly the most well-known film music composer of the 20th century. Behind the mainstream Morricone, hugely celebrated by critics and acclaimed by his audience, there is a hidden Morricone, a Morricone Segreto: an eccentric, underground genius who used his refined education to implant cultured materials in a daily, popular context. <br />
<br />
“Morricone Segreto” is a compilation explores what perhaps is the richest creative period of the Maestro, between the end of the 60s and the early 80s.<br />
<br />
The Morricone Segreto reunion is a special meeting with some of the key collaborators of the Maestro: the musician who originally played on the songs of the Morricone Segreto compilation.<br />
<br />
The sit-down took place in the rooms of the Forum Music Village (formerly called Ortophonic), the renowned recording studio founded by Morricone himself in 1970. Here, Morricone’s “Dream Team” was interviewed: his jazz player, guitarist, drummer, saxophonist and electric organist - as they were invited to a group listening session of the music of the Morricone Segreto, starting from the original master tapes recovered inside the historical CAM Sugar
    CIPG_20201029_SUGAR_MorriconeSegreto..jpeg
  • TURIN, ITALY - 29 MAY 2019: The Fiat archive is seen here in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • TURIN, ITALY - 29 MAY 2019: The Fiat archive is seen here in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • TURIN, ITALY - 29 MAY 2019: The Fiat archive is seen here in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Anselmo Crovara (82), the creator and custodian of the Memory Archive housed in his own attic (a collection of items from traditional Ligurian daily life), looks at fragments of terracotta he collected in his Memory Archive here in Manarola, Italy, on May 31st 2017. Mr Crovara learned to build dry stone walls when he was a little boy.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_67...jpg
  • VENICE, ITALY - 1 JUNE 2013: Artist Hashim Taeeh (65), part of the artistic partnership WAMI, poses with his cardboard artwork in a room of the Iraqi Pavilion at Ca' Dandolo in Venice, Italy, on June 1st 2013. <br />
<br />
WAMI is an artistic partnership founded by Yassen Wami and Hashim Teeh, who work together to make installations of furniture from new and used carboard. The poor material and basic, minimalist style they prefer are entirely at odds with a popular taste in Iraq for gilded home furnishings. Their ethos of "making do and getting by" - articulated with great wit - is a far cry from incongruous aspration. <br />
<br />
"Welcome to Iraq" is the  exhibition showcasing the works of eleven contemporary artists living and working inside Iraq curated by Jonathan Watkins, at the Iraqi Pavilion at the 55th International Art Exhibition of the Biennale di Venezia.<br />
<br />
Iraq is insinuated into the exhibition space at the Iraqi Pavillon, creating a salon atmoshpere where visitors can sit, read and learn about Iraqi culture and drink tea. In collaboration with the Iraqi National Library and Archive book and comica are available to read.<br />
<br />
The 55th International Art Exhibition of the Venice Biennale takes place in Venice from June 1st to November 24th, 2013 at the Giardini and at the Arsenale as well as in various venues the city. <br />
<br />
Gianni Cipriano for The New York TIme"Welcome to Iraq" is the  exhibition showcasing the works of eleven contemporary artists living and working inside Iraq curated by Jonathan Watkins, at the Iraqi Pavilion at the 55th International Art Exhibition of the Biennale di Venezia.<br />
<br />
Iraq is insinuated into the exhibition space at the Iraqi Pavillon, creating a salon atmoshpere where visitors can sit, read and learn about Iraqi culture and drink tea. In collaboration with the Iraqi National Library and Archive book and comica are available to read.<br />
<br />
The 55th International Art Exhibition of the Venice Biennale takes place in Venice from June 1st to November 24th, 2013 at t
    CIPG_20130601_NYT_VeniceBiennale__MG...jpg
  • MANAROLA, ITALY - 31 MAY 2017: (R-L) Anselmo Crovara (82), the creator and custodian of the Memory Archive housed in his own attic (a collection of items from traditional Ligurian daily life), and Margherita Ermirio (32), a local who has spent years abroad and is now the pillar of the battle to restore dry stone walls and preserve the terracing, are seen here in Mr Crovara's Memory Archive in Manarola, Italy, on May 31st 2017.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_67...jpg
  • VENICE, ITALY - 1 JUNE 2013: (L-R) Artists Yassen Wami (40) and Hashim Taeeh (65) listen to a visitor of the installation in the kitchen of the Iraqi Pavilion at Ca' Dandolo in Venice, Italy, on June 1st 2013. <br />
<br />
WAMI is an artistic partnership founded by Yassen Wami and Hashim Teeh, who work together to make installations of furniture from new and used carboard. The poor material and basic, minimalist style they prefer are entirely at odds with a popular taste in Iraq for gilded home furnishings. Their ethos of "making do and getting by" - articulated with great wit - is a far cry from incongruous aspration. <br />
<br />
"Welcome to Iraq" is the  exhibition showcasing the works of eleven contemporary artists living and working inside Iraq curated by Jonathan Watkins, at the Iraqi Pavilion at the 55th International Art Exhibition of the Biennale di Venezia.<br />
<br />
Iraq is insinuated into the exhibition space at the Iraqi Pavillon, creating a salon atmoshpere where visitors can sit, read and learn about Iraqi culture and drink tea. In collaboration with the Iraqi National Library and Archive book and comica are available to read.<br />
<br />
The 55th International Art Exhibition of the Venice Biennale takes place in Venice from June 1st to November 24th, 2013 at the Giardini and at the Arsenale as well as in various venues the city. <br />
<br />
Gianni Cipriano for The New York TImes<br />
<br />
Iraq is insinuated into the exhibition space at the Iraqi Pavillon, creating a salon atmoshpere where visitors can sit, read and learn about Iraqi culture and drink tea. In collaboration with the Iraqi National Library and Archive book and comica are available to read.<br />
<br />
The 55th International Art Exhibition of the Venice Biennale takes place in Venice from June 1st to November 24th, 2013 at the Giardini and at the Arsenale as well as in various venues the city. <br />
<br />
Gianni Cipriano for The New York TImes
    CIPG_20130601_NYT_VeniceBiennale__MG...jpg
  • TURIN, ITALY - 29 MAY 2019: Archival documents are seen here on a  consultation table in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • TURIN, ITALY - 29 MAY 2019: Archival documents are seen here on a  consultation table in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • TURIN, ITALY - 29 MAY 2019:  A spread from Fiat's 1957 magazine "Illustrato Fiat" illustrating the Fiat stand in New York's "Coliseum" world fair and the 1000 shipped to the United States, here in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • PALERMO, ITALY - 22 MARCH 2017: A historical map of Palermo (the Giudecca, Palermo's ancient quarter, is bottom right quarter) is shown here in the Muncipal Archive of in Palermo, Italy, on March 22nd 2017. Palermo’s municipal archives – whose late 19th century grand hall may have been inspired by the Great Synagogue - recently exhibited the 1492 edict that banned jews from the island and mementos of more recent affronts, including documents from the years following Mussolini’s 1938 racial laws.<br />
<br />
In 1492, Sicily’s Jews were banished from the island, the victims of a Spanish edict that forced thousands to leave and others to convert to Roman Catholicism. On Jan. 12, exactly 524 years to the day that the edict gave as a deadline for Sicily’s Jews to depart, Palermo’s archbishop, Corrado Lorefice, granted the emerging community the use of a deconsacrated oratory, to be transformed into Palermo’s first stable synagogue in five centuries.  The synagogue will be located in what once was known as the Giudecca, Palermo’s ancient Jewish quarter
    CIPG_20170322_NYT_JewishPalermo__M3_...jpg
  • PALERMO, ITALY - 22 MARCH 2017: (L-R) Maria Antonietta Ancona, Evelyne Aouate, Eliana Calandra and Luciana Pepi, who spearheaded the efforts to get a new synagogue in Palermo, pose for a portrait in the Municipal Archive of Palermo, Italy, on March 22nd 2017. Palermo’s municipal archives – whose late 19th century grand hall may have been inspired by the Great Synagogue - recently exhibited the 1492 edict that banned jews from the island and mementos of more recent affronts, including documents from the years following Mussolini’s 1938 racial laws.<br />
<br />
In 1492, Sicily’s Jews were banished from the island, the victims of a Spanish edict that forced thousands to leave and others to convert to Roman Catholicism. On Jan. 12, exactly 524 years to the day that the edict gave as a deadline for Sicily’s Jews to depart, Palermo’s archbishop, Corrado Lorefice, granted the emerging community the use of a deconsacrated oratory, to be transformed into Palermo’s first stable synagogue in five centuries.  The synagogue will be located in what once was known as the Giudecca, Palermo’s ancient Jewish quarter
    CIPG_20170322_NYT_JewishPalermo__M3_...jpg
  • PALERMO, ITALY - 22 MARCH 2017: (L-R) Maria Antonietta Ancona, Evelyne Aouate, Eliana Calandra and Luciana Pepi, who spearheaded the efforts to get a new synagogue in Palermo, pose for a portrait in the Municipal Archive of Palermo, Italy, on March 22nd 2017. Palermo’s municipal archives – whose late 19th century grand hall may have been inspired by the Great Synagogue - recently exhibited the 1492 edict that banned jews from the island and mementos of more recent affronts, including documents from the years following Mussolini’s 1938 racial laws.<br />
<br />
In 1492, Sicily’s Jews were banished from the island, the victims of a Spanish edict that forced thousands to leave and others to convert to Roman Catholicism. On Jan. 12, exactly 524 years to the day that the edict gave as a deadline for Sicily’s Jews to depart, Palermo’s archbishop, Corrado Lorefice, granted the emerging community the use of a deconsacrated oratory, to be transformed into Palermo’s first stable synagogue in five centuries.  The synagogue will be located in what once was known as the Giudecca, Palermo’s ancient Jewish quarter
    CIPG_20170322_NYT_JewishPalermo__M3_...jpg
  • PALERMO, ITALY - 22 MARCH 2017: (L-R) Maria Antonietta Ancona, Evelyne Aouate, Eliana Calandra and Luciana Pepi, who spearheaded the efforts to get a new synagogue in Palermo, pose for a portrait in the Municipal Archive of Palermo, Italy, on March 22nd 2017. Palermo’s municipal archives – whose late 19th century grand hall may have been inspired by the Great Synagogue - recently exhibited the 1492 edict that banned jews from the island and mementos of more recent affronts, including documents from the years following Mussolini’s 1938 racial laws.<br />
<br />
In 1492, Sicily’s Jews were banished from the island, the victims of a Spanish edict that forced thousands to leave and others to convert to Roman Catholicism. On Jan. 12, exactly 524 years to the day that the edict gave as a deadline for Sicily’s Jews to depart, Palermo’s archbishop, Corrado Lorefice, granted the emerging community the use of a deconsacrated oratory, to be transformed into Palermo’s first stable synagogue in five centuries.  The synagogue will be located in what once was known as the Giudecca, Palermo’s ancient Jewish quarter
    CIPG_20170322_NYT_JewishPalermo__M3_...jpg
  • TURIN, ITALY - 29 MAY 2019: An archivist shows a design of Fiat vehicle in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • TURIN, ITALY - 29 MAY 2019: A design  of the Fiat Coupé Dorsay is seen here in the archive of the Centro Storico Fiat museum, which hosts Fiat historical vehicles and the company archives, in Turin, Italy, on May 29th 2019.<br />
<br />
The French carmaker Renault said on Monday that it was considering a proposal by Fiat Chrysler to merge and form a global partnership aimed at improving their chances of surviving the coming perilous and costly shift to electric and self-driving cars.<br />
If the proposal goes forward, the new company would displace General Motors as the third-largest car company in the world, behind Volkswagen and Toyota, and significantly change the balance of power in the global auto industry.
    CIPG_20190529_NYT_Fiat-Renault_M3_44...jpg
  • CATANIA, ITALY - 4 OCTOBER 2021: The archive of the Roman Catholic diocese of Catania is seen here in Catania, Italy, on October 4th 2021.<br />
<br />
The Roman Catholic diocese of Catania ended a grace period and imposed a three-year ban on the ancient tradition of naming godparents at baptisms and christenings, arguing that the once essential figure in a child’s Catholic education had lost all spiritual significance, becoming a mere connection for material gain and family ties — and sometimes mob ties — and should be at least temporarily scrapped. Other dioceses, including in the Tuscan city of Grosseto also announced plans this month to restrict the figure, and Pope Francis has expressed interest in the idea, according to the Calabrian archbishop who first floated it to him more than five years ago.<br />
<br />
That tainted notion of the godfather became most popularized by The Godfather, especially the iconic baptism scene when Michael Corleone renounces Satan in church as his henchmen whack all his enemies. But church officials warn that secularization more than anything led them to rub the godfather out.
    CIPG_20211004_NYT-Godfathers_A73-224...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Anselmo Crovara (82), the creator and custodian of the Memory Archive housed in his own attic (a collection of items from traditional Ligurian daily life), poses for a portrait here in Manarola, Italy, on May 31st 2017. Mr Crovara learned to build dry stone walls when he was a little boy.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_68...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Anselmo Crovara (82), the creator and custodian of the Memory Archive housed in his own attic (a collection of items from traditional Ligurian daily life), looks through the window here in Manarola, Italy, on May 31st 2017. Mr Crovara learned to build dry stone walls when he was a little boy.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_66...jpg
  • PALERMO, ITALY - 16 JUNE 2018: A view of the National Archive of Palermo used for the site-specific video installation "Protocol no. 90/6" by Masbedo during Manifesta 12, the European nomadic art biennal, in Palermo, Italy, on June 16th 2018.<br />
<br />
Manifesta is the European Nomadic Biennial, held in a different host city every two years. It is a major international art event, attracting visitors from all over the world. Manifesta was founded in Amsterdam in the early 1990s as a European biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of Cold War. In the next decade, Manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model.<br />
Manifesta is still run by its original founder, Dutch historian Hedwig Fijen, and managed by a permanent team of international specialists.<br />
<br />
The City of Palermo was important for Manifesta’s selection board for its representation of two important themes that identify contemporary Europe: migration and climate change and how these issues impact our cities.
    CIPG_20180616_NYT-Manifesta_M3_2422.jpg
  • PALERMO, ITALY - 30 MAY 2018: Ludovico Gippetto, President of a Palermo cultural association called Extroart, is seen here as he searches his archive in Palermo, Italy, on May 30th 2018.<br />
<br />
Mr. Gippetto has also adopted Caravaggio’s “Nativity” for his project “Wanted,” a publicity campaign that involves periodically peppering Palermo with posters of looted artworks on the premise that the better known a work of art is, the harder it is to sell on the black market. <br />
<br />
In October 1969 thieves broke into the Oratory of San Lorenzo, a small chapel in Palermo’s then dilapidated Kalsa quarter, and made off with one of the city’s artistic masterpieces: Caravaggio’s “Nativity” altarpiece.<br />
<br />
Nearly 50 years after it was stolen, possible evidence suggests that Caravaggio Nativity may have been cut up and sold, according to Gaetano Grado, a Mafia. turncoat. The Antimafia Commission checked out on various fronts Mr. Grado's accounts, and Rosy Bindi, the president of the Antimafia Commission, presented the findings of the commission — published in May — at the Oratory where the Nativity once hung.
    CIPG_20180530_NYT-Caravaggio_M3_3219.jpg
  • MANAROLA, ITALY - 31 MAY 2017: The doorphone of Anselmo Crovara's Memory Archive, housed in his own attic, which hosts a collection of items from traditional Ligurian daily life, is seen here at the entrance of his home in Manarola, Italy, on May 31st 2017.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_69...jpg
  • MANAROLA, ITALY - 31 MAY 2017: A photo album with a 1960s picture of stonewalls and terracing of the Cinque Terre is seen here in Anselmo Crovara's Memory Archive, housed in his own attic, which hosts a collection of items from traditional Ligurian daily life, in Manarola, Italy, on May 31st 2017.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_69...jpg
  • MANAROLA, ITALY - 31 MAY 2017: A photo album with 1950s pictures of Andrea Corvaro's mother (left), one of the few women who had mastered the art of dry stone walls, and of other stone walls and farmers (right) are seen here in Anselmo Crovara's Memory Archive, housed in his own attic, which hosts a collection of items from traditional Ligurian daily life, in Manarola, Italy, on May 31st 2017.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_69...jpg
  • MANAROLA, ITALY - 31 MAY 2017: A photo album with pictures of stone walls and farmers ranging from the 50s to the 70s is seen here in Anselmo Crovara's Memory Archive, housed in his own attic, which hosts a collection of items from traditional Ligurian daily life, in Manarola, Italy, on May 31st 2017.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_69...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Anselmo Crovara (82), the creator and custodian of the Memory Archive housed in his own attic (a collection of items from traditional Ligurian daily life), poses for a portrait here in Manarola, Italy, on May 31st 2017. Mr Crovara learned to build dry stone walls when he was a little boy.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_68...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Farming tools used in the Cinque Terre are seen here in Anselmo Crovara's Memory Archive, housed in his own attic, which hosts a collection of items from traditional Ligurian daily life, in Manarola, Italy, on May 31st 2017. <br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_67...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Anselmo Crovara (82), the creator and custodian of the Memory Archive housed in his own attic (a collection of items from traditional Ligurian daily life), looks through the window here in Manarola, Italy, on May 31st 2017. Mr Crovara learned to build dry stone walls when he was a little boy.<br />
<br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_66...jpg
  • MANAROLA, ITALY - 31 MAY 2017: Tools to build dry stone walls are seen here in Anselmo Crovara's Memory Archive, housed in his own attic, which hosts a collection of items from traditional Ligurian daily life, in Manarola, Italy, on May 31st 2017. <br />
Given its jagged coastline and manifold mountainous chains, Italy is believed to hold a record in Europe with an estimated 300,000 hectares of terracing, and 170,000 kilometers of dry stone walls— 20 times the length of the Great Wall of China.<br />
Liguria, the narrow half-moon shaped region along the northern<br />
Thyrrenian sea, has the highest concentration, and terracing is in<br />
poor shape there. In Vernazza, almost half of the terracing is in<br />
ruins.<br />
<br />
Terraced vineyards, apple and lemon groves horizontally run around the green slopes of the Cinque Terre. The stone walls have allowed such vital cultivation in the area and prevented land slides. Since the 1960s, the ancient walls have been largely<br />
abandoned, posing hydro-geological threats to the same villages during<br />
heavy rains and, in general, as time passes.<br />
<br />
Since the 2012 flood - when tons of mud invaded the<br />
village’s main road, shops and and homes, isolating the area and<br />
taking three lives - Margherita Ermirio has agreed with the various land lords to take<br />
over 6,000 square meters of land parcels that needed to be cleaned up,<br />
in order to fix them and thus prevent land slides, but also to show to<br />
the younger generations that agriculture is still possible in the<br />
Cinque Terre.
    CIPG_20170531_NYT_CinqueTerre__M3_66...jpg
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